446 24 JULY 2015 • VOL 349 ISSUE 6246 So 3 years ago, when I rebooted my songwriting “career” after a 30-year hiatus, I felt battle-hardened enough to think big. Not only did I dive right into writing and recording my songs, but I became enamored with breaking into the Nashville market as a songwriter. I naively thought that my songs were at least as good as what I heard on country radio, and on my most optimistic days, I judged my tunes better than average. Certainly, I reasoned, my experience with rejection in science would steel my resolve to get my songs recorded by the latest country stars. What I didn’t realize then was that rejection in science is nothing compared to the Fort Knox–like exclusion that the Nashville fortress foists on newcomer-wannabes. I gained an appreciation for NSF: At least it reviews my grant proposals and tells me if I win or lose. The agency even gives me feedback. In contrast, the music industry is a sort of black hole where songs disappear forever. I haven’t been totally unsuccessful; I’ve had a few cuts on small record labels. But between the minor triumphs, it’s discouraging not knowing the outcome of a pitch most of the time and not hearing from publishers and producers— the reviewers—about how I can improve a song. Science is much kinder than the music business in this regard. Pitching songs, however, has taught me a few practical lessons about pitching papers and grant proposals: You have to tell your story in 3 minutes. If the paper or proposal (or song) doesn’t grab the audience’s attention pretty quickly, it won’t be a hit. This is especially true for grant proposals: If the first page doesn’t compel the reviewer’s interest in 3 minutes, the proposal is toast. You need a memorable hook. In a song, the hook is the phrase or melodic line that the listener hums and sings in the shower. A science story also needs a memorable hook that relays a simplified message about why a piece of science is important. Keep it fresh. Most hit songs have predictable structure but include surprises and interesting turns. Similarly, the best papers are well structured but include unexpected and novel results. Don’t go solo. Although I would like to think I can do all the songwriting, playing, and singing to express a song in a pitch, for me that is almost never the right decision. Most hit songs have two or more co-writers, and the demos are played by extraordinarily fine musicians. In science, collaborators bring unique expertise and make a project stronger. Science and commercial music are both so competitive that the right team is needed to produce winners. Inspiration isn’t everything. Supposedly, Jimmy Buffett wrote most of “Margaritaville” in a few minutes, but most songs are rewritten several times. The same should be true for papers and grant proposals. When I’m reviewing proposals, it’s usually obvious when the principal investigator thinks he’s Jimmy Buffett. Most hits are the product of close examination and rewriting. Finally, in music, it goes without saying that the most successful songs are those that people like the most. It’s less obvious in science, but it’s equally true. I now pay more attention to which papers are cited most and which talks my audiences react best to. It helps to know what works and what doesn’t. I don’t plan to give up my day job anytime soon, but I also don’t intend to give up songwriting. It has been good for my soul as well as my science. ■
Electronic online infection prevention and control modules continue to be well used by health professionals.
Nurses and midwives have a key role in supporting public health safe sleeping recommendations demonstrated to reduce Sudden Unexpected Deaths in Infancy (SUDI) through role modelling in clinical practice and in parent education (Bullock et al 2004; Burrell and Stairs 2012). The aim of this study was to evaluate the reach, sustainability and effectiveness of an evidence based eLearning program in positively impacting knowledge and knowledge application relating to sudden infant death and safe sleeping recommendations.
The mention of the Coroner's Court and the thought of appearing before it may make some registered nurses nervous. Whilst not a pleasant experience to give evidence in any court in relation to any matter, it is not a jurisdiction as threatening as an Australian Health Practitioner Regulation Agency disciplinary hearing or appearing as a named defendant in civil proceedings.
Why is it that around one third of Australians (31%) are vitamin D deficient and why has there been an annual 4,600% increase (annual cost $126.5 million) in monitoring of vitamin D levels?
Recently I attended the Australian Council on Social Services (ACOSS) annual conference, Community: the Heart of the Economy. The range of social issues discussed included: unemployment; the realities of living on income support; income management; social exclusion; the National Disability Insurance Scheme; energy affordability; workplace gender balance; housing affordability and homelessness; racism; Australia's retirement system; women and poverty; and, climate change and extreme weather effects on the community. Through ACOSS membership, the ANF contributes to policy and advocacy work aimed at improving the lives of those who are disadvantaged in our community.
Nursing clinicians, academics and researchers were inspired and informed about the latest innovations in nursing and health care at the sixth International Congress on Innovations in Nursing held in Perth recently. The congress spurred enthusiasm for new ways of thinking about practice and positive developments within the profession.
Just as the threads of history weave through the lives of individuals in personal circumstances so too are they traceable through the life and times of organisations.
