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    Journal of vision

    Journal of vision

    JournalISSN 1534-7362eISSN 1534-7362中科院 心理学 3区

    年发文量

    研究主题

    论文(37024)

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    1Dichoptic Viewing Reveals Distinct Low- and High-Level Mechanisms for Temporal Phase Discrimination
    Andrew Lisech, Xinyi Yuan,Keith A. Schneider

    Conscious awareness of temporal visual structure is limited to frequencies below ∼10 Hz. Between ∼10 and 60 Hz, flicker is visible, but temporal phase cannot be accurately discriminated; above ∼60 Hz, stimuli are perceptually fused. Accurately estimating the cognitive limit of phase discrimination requires reducing the contribution of low-level motion mechanisms that can support phase-like judgments via short-range apparent motion. We examined how interstimulus spacing and hemifield placement affect temporal phase discrimination limits using a paired achromatic flicker task in two experiments. In Experiment 1 (binocular viewing), narrow interstimulus spacing produced higher frequency limits, implicating a local, low-level motion mechanism; wide spacing reduced this contribution and yielded lower frequency limits. In Experiment 2 (dichoptic viewing), the spacing effect persisted but was attenuated, indicating that the local mechanism operates on monocular signals, before binocular combination, and can be partially disrupted by presenting each stimulus to a separate eye. A distinct low-level mechanism contributed to performance when the stimuli were close together. Once its contribution was minimized, the upper limit of temporal phase discrimination for achromatic luminance modulations converged on approximately 7-10 Hz, a ceiling consistent with broader limits on temporal integration reported across perceptual and cognitive tasks.

    2026
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    2Non-contact Evaluation of Facial Changes Before and after a Low-Load Esthetic Dance Intervention: an Exploratory Study Using UV-DIC
    Keiko Ishii, Yuki Nakayama,Maiko Oikawa, Tomoko Tomita,Noriko Onishi, Satoru Yoneyama

    Evaluation of facial changes after manual or movement-based interventions remains difficult because small and localized changes are often assessed using photographs or subjective impressions. This exploratory study aimed to visualize relative facial displacement before and after a low-load esthetic dance intervention using stereo ultraviolet digital image correlation (stereo UV-DIC). Twelve healthy adults performed an approximately 3 min intervention consisting of light whole-body rhythmic movements and facial self-massage focused mainly on the cheek region. Stereo ultraviolet facial images were acquired before and after the intervention under neutral facial expression and elevated-mouth-corner conditions. Melanin pigments visualized under ultraviolet-A illumination served as intrinsic random patterns for stereo UV-DIC. After three-dimensional facial surface reconstruction and rigid-body-motion correction, the directionality of relative displacement vectors was evaluated. Subjective mood, fatigue, body temperature, blood pressure, and pulse rate were also measured. Relative facial displacement was visualized in all participants. Although substantial interparticipant variability was observed, several participants showed upward or outward displacement tendencies, particularly under the neutral facial expression condition. Subjective mood and fatigue showed trends toward improvement, whereas vital signs showed no consistent marked changes. These findings suggest that stereo UV-DIC may be useful for non-contact exploratory evaluation of local facial displacement associated with low-load esthetic dance, while no consistent marked changes were observed in the measured vital signs.

    2026
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    3Comparing Performance on a Continuous Visual Stimulus Tracking Task Between Real and Simulated Visual Field Defects: Evidence for Long-Term Adaptation
    Minke J. de Boer,Anne C. L. Vrijling,Jan-Bernard C. Marsman,Remco J. Renken,Joost H. C. Heutink,Nomdo M. Jansonius,Frans W. Cornelissen
    2026
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    4The Influence of Eye Level and the Horizon on the Perception of the Size and Distance of Objects in a 2D Scene
    John J.-J. Kim,Laurence R. Harris

    People can infer the relative distances of objects reliably from their visual size and position in a two-dimensional (2D) scene (e.g., viewed on a computer screen) but not their absolute simulated distance. Might this be an artifact of picture viewing? In a naturally sized indoor corridor scene, projected onto a wall and aligned with the viewer's eye level, participants adjusted the size of the image of an object based on its position in the scene or its position based on its visual size to match the size of an actual object held in their hands (Experiment 1). The adjusted position was consistent with the visual size of the object, but the adjusted size was consistently larger than its veridical size. Such discrepancy demonstrates that the distance and the size of the object in the scene were judged differently, where the visual size of the object relative to its absolute distance may have been judged erroneously. However, expressing the data as the horizon ratio suggested that people might do these tasks using this ratio rather than considering the simulated absolute distance of the object. Measuring people's perceptions of the position of the horizon (Experiment 2) revealed that people are generally accurate at judging the elevation of the horizon in a scene, but people misperceived their eye level when looking at a monitor or when the horizon in the scene was misaligned with their eye level. The misperceived eye level may be due to the misjudged distance between their eyes and the ground (i.e., the eye height) which may lead to errors when computing distance to the object on the ground based on its visual angular declination. Therefore, we concluded that the horizon position and the visually perceived eye level play important role in people's distance and size perception in 2D scenes and the objects in it.

    2026
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    5Model-based Estimation of the Population Contrast Response Function in Human Visual Cortex
    Louis N. Vinke,Sam Ling,Ilona M. Bloem

    Contrast determines how strong visual stimuli drive neural responses and, in turn, how well we can see. This contrast-response relationship is nonlinear, with gain control mechanisms acting to compress responses to high-contrast stimuli, effectively setting the contrast range that neural responses are most sensitive to. Yet, capturing these saturating responses noninvasively in human functional magnetic resonance imaging (fMRI) has proven challenging. Here, we introduce a model-based fMRI approach to more flexibly and efficiently estimate saturating contrast responses: population contrast response function (CRF) mapping. To vet this technique, we benchmarked pCRF mapping against traditional deconvolved BOLD responses for stimuli presented with a fast event-related design. We found tight correspondence in parameter estimates between the deconvolution-derived CRF and pCRF estimates, validating the model-based approach. We then asked whether pCRF mapping could push beyond conventional paradigms by employing a continuous, highly condition-rich stimulation design that affords greater efficiency and flexibility but does not lend itself to traditional fMRI analyses. As predicted by the model-based approach, voxel-wise pCRF estimates could still be recovered from this unconventional design. In sum, we demonstrated that model-based pCRF mapping dissociates CRF estimation from strict design constraints and broadens the space of usable experimental paradigms while still capturing the saturating nonlinearities that are fundamental to neural population responses.

    2026
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    高被引作者

    作者引用发文
    Brian A. Wandell659048
    Martin Banks5848139
    Marc O. Ernst536666
    Nancy Kanwisher5127110
    Bruno Rossion5052152
    Nikos Logothetis474819
    Matthias Bethge464529
    Christof Koch457761
    Marisa Carrasco4577238
    Laurence Maloney4557124

    高产作者

    作者引用发文
    Marisa Carrasco4577238
    Karl R. Gegenfurtner4547211
    Jeremy M. Wolfe2527204
    Patrick Cavanagh4393199
    Patrick J. Bennett1257171
    Michael Herzog3129160
    David Whitney3569158
    Bruno Rossion5052152
    Miguel Eckstein2587144
    Martin Banks5848139

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