Abstract: This article is a glimpse into Young Adult Literature (YAL) pedagogy from a generational perspective. One university professor and two of her former students describe the processes, pedagogies, and challenges of introducing YAL theory, texts, and topics in university methods courses, as well as in the secondary English Language Arts (ELA) classroom. The former students will report on how they have taken ideologies and lessons learned from their university methods courses and implemented YAL in their ELA classrooms during their intern teaching semesters. Finally, the importance of including YAL in our classrooms in order to build empathy, engagement, and empowerment for our students will be underscored; places for improvement in our pedagogies will also be highlighted. The topic of YAL inclusion and advocacy is timely due to the current climate of increased scrutiny and censorship of books in our schools.
Black students' language and culture should matter inside the classroom, but the K-12 education system perpetuates racist ideologies that otherwise stifle and shame Black students and their identities. There is a disproportion between the number of White teachers and Black students in minority-serving K-12 institutions, and this racial mismatch severely influences Black students’ academic success. In addition to the racial mismatch between White teachers and Black students, K-12 institutions foster a prejudiced learning environment that condemns African American English speakers. There is an abundance of research that suggests that Black teachers, Black culture, and Black English are of the utmost importance in Black majority classrooms, and yet the K-12 system promotes Standard American English (Wheeler and Swords, 2006), does little to incorporate Black culture into the curriculum, and struggles to retain Black teachers. Furthermore, there are curricular and pedagogical practices that promote the marginalization of Black students and impact their success in school. This thesis explores two significant ways Black students experience marginalization including 1) the lack of Black teachers in majority-Black classrooms, and 2) the condemnation of Black English/African American English.
Given the pressures, demands, and standardization teachers face in our sociopolitically charged times, teachers need opportunities to reflect and reimagine their instruction. Drawing on critical and related scholarship, we conceptualize critical humanizing writing pedagogy. We share our instructional moves as teacher educators for enacting humanizing writing pedagogy in a graduate course and supporting teachers to enact humanizing writing pedagogy in their K-12 classrooms. Specifically, we show how a graduate student and practicing teacher found ways to shift toward critical orientations as she navigated her school’s curriculum and state standards. We argue that sociocultural and critical lenses provide powerful tools for reflecting and reimagining writing instruction in ways that resist standardization and oppressive practices in schools.
In this paper, I unpack what the "Bury Your Gays" trope is, how it originated, its purpose, and its contemporary use and impacts. Through analysis of example novels and referenced scholarly articles, I explain how character deaths do or do not align with the trope, exemplifying the broader patterns of the trope and its impacts on young adults. Educators can learn to contextually identify the trope, gain the tools to spark classroom discussion through analysis, and identify examples of novels that disrupt this trope to be implemented in classroom libraries and reading lists.
This practitioner article explores the integration of digital prewriting tools, specifically MindMeister and VoiceThread, in a high school sophomore honors English class during a research writing unit. The author, a classroom teacher, discusses the challenges students face in research writing and seeks to enhance their confidence and organization skills. Drawing insights from student and teacher perspectives on writing strengths and weaknesses, the article delves into the significance of prewriting as a fundamental component of the writing process.
Dialogic instruction is a talk-intensive approach to learning and teaching that is student-centered and discussion-based, promoting collaboration and academically productive conversations. Recently, educators across the country have increased the amount of time spent preparing students for standardized assessments, which often reduces teaching and learning to test preparation. While this tension suggests that teachers must choose between good teaching or good test scores, dialogic instruction is a promising practice that can enhance students’ reading comprehension outcomes while centering student choice and valuing student voice. Research shows dialogic instruction is most effective when teachers a) co-create a conducive classroom climate, b) incorporate learning heuristics, and c) adopt talk moves. This paper provides a brief description of the research behind each of these practices and offers suggestions for practitioners interested in adopting them.
Building from interviews with writing instructors at an urban R1 institution, this article identifies the struggles between balancing empathetic teaching practice—a practice that seeks to understand and address another’s needs in the classroom—with practicing self-care. In proposing a feminist pedagogical empathy, this article investigates how empathetic teaching practices, such as flexibility and transparency, and empathetic course policies can offer benefits to both instructors and students. Ultimately, I argue that empathetic teaching practice can function as self-care for instructors, rather than be considered additional labor or diminished as lenient or unrigorous, upholds rigor by clearly defining expectations for students while also providing them the support necessary to be successful in coursework.
We create deep connections with our surroundings, people and societies, and classrooms are one of such deep connections. Classrooms are spaces where the unfulfilled dreams and painful experiences of teachers and students can fester and estrange classrooms from being places of justice and hope. The absence of justice, healing and hope estranges public education of many of its democratic ideals and promises. We believe that teachers and students can heal together to deconstruct their experiences with oppression and envision new ways of coexisting with others and personally transform. Influenced by the work of Bell Hooks and Parker Palmer we offer a framework of “Deep Connections” that uncover the hidden wholeness of classroom communities devoted to peace, freedom and justice where what Tricia Hersey says, “we are born to heal, to grow”. This is what Nipsey Hussle’s deep connections to community beseeches as “the marathon continues” in our colonized lives.
Welcome to our “Co-Editors Corner,” a space where we take a moment to celebrate our personal and professional accomplishments and victories. This section is a reminder that although we shoulder so much, we’re committed to uplifting one another and ourselves. Whether we’re sharing photos of our harvests, attending conferences, freestyling, or spending time with our loved ones – we’re excited to continue to chase joy.
This study explores methods to enhance student engagement and interest in high school English literature classes, focusing on the analysis of Willa Cather's novels. It addresses the challenge of motivating students to engage deeply with full-length novels, crucial for cultural and literary education. Employing a qualitative approach and triangulated data sources, the study reveals significant improvements in student engagement, comprehension, and literary analysis. Additionally, students demonstrated a heightened ability to connect with the themes and characters in the prose.
This paper examines the interplay between hegemonic systems, curriculum, and individual consciousness in diverse life contexts. It underscores the need for critical thinking skills and self-examination to challenge hegemonic ideologies embedded within curriculum materials. The paper emphasizes the potential for curriculum to shape and influence consciousness, yet it also highlights the autonomy of consciousness to critically engage with curriculum content. Positionality and identity are explored, illustrating how they impact an individual's social role and their ability to promote social justice. Through the Currere as a autoethnography research method, the paper offers a comprehensive reflection on the author's experiences as an international student in a predominantly white institution. By examining past experiences, decision-making processes, and information sources, the paper explores the impact of hegemonic systems on curriculum and consciousness. The narrative journey highlights the potential for transformative change through critical self-examination and more inclusive curriculum design.
