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    Bridges: A Jewish Feminist Journal

    Bridges: A Jewish Feminist Journal

    JournalISSN 1558-9552

    年发文量

    研究主题

    论文(337)

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    1Reversing the Gaze
    Ellen Cassedy, Susannah Heschel
    2011
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    2A Congenial Anarchy: an Affirmation of Jewish Feminist Space
    Marla Brettschneider, Rosie Pegueros
    2011
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    3Between NYC and Haifa: on Being Jewish, Feminist and Peace Activist
    Sherry Gorelick,Hannah Safran

    HANNAH: Because in Israel being Jewish is being part of the majority and belonging to something that is today smacking of racism. For example the recent call by Orthodox Rabbis (who are State-salaried) not to rent apartments to Arabs in Zafed and the letter of the Rabbis’ wives calling on young Jewish women not to associate with Arabs lest they will fall in love and get married to them. There is a new initiative now calling on restaurant owners to state publicly there are no Arab employees on the premises. Not to mention State laws forbidding the sale of land to Palestinians who are citizens of Israel, not allowing Arabs to join community settlements or build their homes there, and endless other racist laws and customs.

    2011
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    4Lessons in Russian and Yiddish
    Sarah Traister Moskovitz, Carol V. Davis

    Lessons in Russian and Yiddish Sarah Traister Moskovitz (bio) and Carol V. Davis (bio) Carol: Sarah and I met in a group, CJWA (Creative Jewish Women's Alliance), started by Marcia Cohn Spiegel in Los Angeles in the late 1970s. Although Sarah and I were both born in the U.S., we are of different generations. Sarah was born in the late 1920s; I was born in the early '50s. I joined the group around 1981. Over the years I have come in and out of CJWA, as in 1996, I started living extensive periods in Russia. As we talked the issue of language, place, loss and identity became central to the conversation. Sarah: I experienced a reawakening of my mother tongue and love of poetry in my 60s. Both my parents, with whom I had always spoken Yiddish, had died and I was facing retirement from Cal State Northridge at age 70 and knew I would have time to write. Writing in Yiddish propels me into a rich, deep historical context that involves my family, my people and my own vicarious living of their experiences. For me it is like taking off into another world. I walk and run in English. In Yiddish I'm moving in deeper water against the tide that now requires conscious breathing, stroking and effort to survive. [End Page 70] First Love My mother went into labor in Yiddish in Yiddish her prayers in Yiddish her screams From her mouth and breast Yiddish flowed deep into me I was bathed, fed licked and prettied with her warm Yiddish tongue. My father took me walking in Yiddish to see the peacocks I held on to his Torah pointing finger And from the sky raisins and almonds fell while sitting on his lap to see the letters of the golden peacock's rainbow. We held each letter in our hands with joy as if it were a new born little chick. I envy those who in their youth had lovers caressing, teasing and kissing them in Yiddish, language of first love. My father, the principal of a Yiddish Workmen's Circle School taught me to read and write in Yiddish when I was four. He loved poetry, sang Yiddish songs and was great fun in my young years. As an adult I began to understand his struggles to preserve Yiddish and the pain of both my parents over their losses of family in the Holocaust. I describe him in the following fragment: Autumn 1940 in America He will walk briskly and determinedup the steep hill to his Yiddish schoolhouse at the top. He will unfurl his flag of continuityfor the beloved thousand year old, stateless language he guards as treasure brought from home in Polandto immigrants' children who shout and laugh and play as they swim faster, deeper, further out and far away glad to ride the high tide undertow of English. [End Page 71] Carol: My grandmother had lived in St. Petersburg, Russia in the early 1900s, which was unusual because a strict quota allowed very few Jews to live there. Once my grandparents immigrated, they never spoke Russian again. They spoke Yiddish in the home. Yiddish was my parents' first language, but they abandoned it. I fell in love with Russian literature in college and continued to study it in grad school. After that I began to write poetry seriously and that has been my focus ever since. In the early 1980s, I started to translate Russian poetry. I focused on Russian women poets whose work I felt a close affinity to: Anna Akhmatova, Marina Tsvetaeva and Bella Akhmadulina. My Russian was not very good at that point, but ironically I was confident then, enough to translate and publish some translations. My father worked for the Marshall Plan when I was a very young child and we lived all over Europe, though he left us in other countries when he went to Germany. This experience was very important to me and I wanted my own children to have the experience of living abroad. In I996 I received a Fulbright scholar's grant to teach in St. Petersburg and to work on...

    2011
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    5Wandering Jews
    Lolette Kuby, Diana Anhalt
    2011
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    立即登录,查看全部 337 篇论文

    高被引作者

    作者引用发文
    Rachel Tzvia Back265
    Sarah Antine234
    Alex 'Sandy' Pentland231
    sherry gorelick232
    hannah safran232
    davi walders235
    rita falbel231
    Renée Ruderman232
    Lois Swartz231
    Faith Jones235

    高产作者

    作者引用发文
    Willa Schneberg238
    Judith Arcana37
    Joanne Seltzer86
    Lolette Kuby05
    Buff Lindau05
    davi walders235
    Faith Jones235
    Rachel Tzvia Back265
    Marjorie Agosín24
    Jennifer Burd04

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