Workplace representation-the process through which workers voice concerns, negotiate conditions, and participate in decision-making-can be a crucial mechanism for reducing employment strain. Access to such structures is particularly vital for precarious workers, like temporary migrant farm workers in Canada, who face intensified demands owing to employer-tied contracts, congregate living arrangements, and persistent fears of job loss and deportation. Drawing on qualitative interviews and focus groups with migrant farm workers in three agriculturally dense regions in southern Ontario, this study explores the workers' perceptions of one form of workplace representation: peer representation. While peer representation may foster lateral communication and social support for an otherwise isolated workforce, it is complicated by the structural precarity that intensifies competition and conflict among migrant farm workers. This article demonstrates how the conditions of entry and residency for migrant farm workers in Canada generate lateral surveillance and intra-worker control, amplifying workplace pressures and demands and reinforcing the strain that peer representation might otherwise help to alleviate.
This research explores the intersection of precarious legal status and precarious employment of migrants who came to Canada with a temporary status, whether for work, study, or protection purposes. Drawing on data collected from 148 interviews with precarious-status migrants, the article investigates how transitions in status impact employment trajectories. It builds upon a mixed-method analysis, identifying how employment precarity intensifies with increased status insecurity, which results in progressive deskilling and the degradation of working conditions over time. By foregrounding deskilling as a cumulative and temporal process, this study demonstrates how Canada's temporary migration regime systematically deteriorates migrant workers' skills and opportunities, extending precarity beyond the immediate moment of employment. This analysis contributes to an understanding of the lived experiences of migrant workers, highlighting the long-term effects of migration policies and regulations on employment and working conditions.
Recently the federal government has invoked section 107 of the Canada Labour Code to order the end of otherwise lawful strikes. The government's claim that the section provides it with this power is in dispute. This research report, adapted from an expert witness report prepared for the law firm representing one of the unions subjected to these orders, investigates the historical understanding of the section and its precursors dating back to its earliest version, enacted in 1918. It finds that the historical understanding of the section was that its purpose was to strengthen statutory conciliation processes, not to empower the government to end otherwise lawful strikes by executive action. This government action not only continues a longer history of exceptionalism in collective bargaining but also marks a rupture by its attempt to enhance the power of the executive.
This article examines destiny politics in Anand Patwardhan and Jim Munro's 1981 documentaryA Time to Rise (Uthan da Vela), a film that captures the political struggles of Punjabi farm workers as they organized to establish the Canadian Farmworkers Union (cFu). It argues that the film highlights how Punjabi farm workers in British Columbia could not build a life beyond the exploitative and toxic labour conditions of BC farms without first confronting powerful cultural and religious ideas about predestined life. This article demonstrates that the three main figures involved in making the film-Anand Patwardhan (the filmmaker), Pritam Kaur Hayre (the protagonist), and Sant Ram Udasi (the singer)-each sought to dismantle the hold of destiny politics over the future. First, I explain that A Time to Rise marked a first experiment with what was to become Patwardhan's signature style of documentary filmmaking: talking groups. Through this reconfiguration of the documentary as a tool for collective dialogue and movement building, Patwardhan sought to break the enduring power of destiny within South Asian communities. Second, I discuss the film's protagonist Pritam Kaur Hayre, who contested the politics of destiny by seeking a better life through the union rather than the Punjabi family. Lastly, I show how upending destiny politics was a central preoccupation in the anti-caste thought of Sant Ram Udasi, the Mazhabi Punjabi farm-worker-turned-activist who visited British Columbia in 1979 and wrote and performed the film's titular song, "Uthan da Vela."
