Drawing on a narrative inquiry with students in an English course entitled Girlhood, this paper explores the ways in which the experiences of teaching the course, and inquiring into two girls’ experiences of the course, shaped the future practice of the teacher/author. Drawing on Hannah Arendt’s writings on natality, we inquire into how the teacher’s stories have shifted and changed over time and place, and how they reveal the uncertainty and possibility that exists in all new beginnings. Being reborn is a messy business, filled with unexpectedness as we untangle old and new identities.
From November 2023 to June 2024, an a/r/tographic study group gathered to engage with the concept of sustainable relationality. With the methodology of a/r/tography and propositional thinking, the relational gathering became an experimental curricular uncommonplace, a messy yet nourishing place from which to envision different ways of working and being. After introducing the intentions and theoretical background of the study, two art-based engagements that emerged for two groups of master’s students are offered. Reflecting on the transitions undergone by these groups, we speculate on the conditions that might enable similar educational opportunities for human flourishing sustained by deep relational encounters.
This article explores spaces for transformation for teachers and learners using picture books, encouraging them to share their stories and have their voices heard through multiple forms of representation. We describe one teacher's journey with her secondary school students. Classroom data show how reading and creating picture books provoke holistic and comprehensive discussions about topics of societal and personal importance such as equity and inclusion. Benefits for students to create and share their stories include (a) participating in meaningful, inclusive, and socially just discussions that promote interconnectedness and diversity; and (b) becoming positive role models through interactions and relationships with younger students.
From November 2023 to June 2024, an a/r/tographic study group gathered to engage with the concept of sustainable relationality. With the methodology of a/r/tography and propositional thinking, the relational gathering became an experimental curricular uncommonplace, a messy yet nourishing place from which to envision different ways of working and being. After introducing the intentions and theoretical background of the study, two art-based engagements that emerged for two groups of master's students are offered. Reflecting on the transitions undergone by these groups, we speculate on the conditions that might enable similar educational opportunities for human flourishing sustained by deep relational encounters.
To attend to educators' experiences as they work in the midst of competing demands, increased classroom complexity, and a growing understanding of the importance of well-being, a group of stakeholders from across Saskatchewan co-developed a microcertificate entitled Trauma-Informed/Sensitive Pedagogies and Practices. The microcertificate was piloted in 2023, and we used community-based action research to better understand the experiences of participants. From their feedback, experiential themes arose drawing our attention to the messiness-of time, of delivery, and of beginning and becoming-in relation to an understanding of curriculum as the dynamic interaction between teacher, student, subject matter, and milieu.
In this paper I engage in an autobiographical inquiry into my experience of my son's autism assessment referral and how this experience has continued to guide me in my learning journey as a mother, educator, friend, and family member. Thinking about how a parent's greatest gift in this world is their children, I inquire into the messiness of life-making that occurs when parents are informed by a school specialist that their child should undergo an autism assessment. I share my experiences as a parent receiving information.
Framed as a letter to the author's daughter, this essay explores what it means to live, parent, and teach as a Settler Canadian on stolen Indigenous Land. Through personal reflections and Indigenous scholarship, the author considers how love, accountability, and relational learning can guide us toward decolonial and reconciliatory futures. This essay invites readers into the ongoing work of (un)learning and imagining more just and joyful ways of being in relation.
This study examines the experiences of Emirati undergraduate research assistants in the United Arab Emirates through journal reflections to understand their motivations, challenges, and the role of mentorship in their growth. Using reflexive thematic analysis, we explain how mentorship, relationships, and team dynamics influence identity and confidence. Findings indicate the importance of culturally responsive mentorship, inclusive environments, and leadership opportunities in fostering resilience, critical thinking, and career readiness. By embedding research assistantships and culturally aligned mentorship into university programs, institutions can create supportive environments that empower students and enhance skills, inclusivity, and academic success.
This article examines a classroom-based implementation of Youth Participatory Action Research (YPAR) that integrates art-based autobiographical methods to support student reflection, identity exploration, and voice. Grounded in a year-long collaboration between a ninth-grade English teacher and Project HighKEY at Cleveland State University, the study documents how over 100 students engaged in storytelling through collage, poetry, and narrative writing. Drawing on student work, survey and interview data, and a teacher interview, the article highlights how creative expression served as both data and action-positioning reflection as a foundational phase of YPAR. By centering teacher and student perspectives, this work contributes to the growing field of arts-integrated YPAR and offers a developmentally responsive model for embedding participatory research in K-12 classrooms.
Islamophobia presents complex challenges in Western societies, leading to racial discrimination and violence against Muslims. This paper explores the interconnectedness and interactions between racism and Islamophobia, as Islamophobia is conceptualized as a form of racism in the literature. Specifically, it explicates racism and its different manifestations. It also deals with the intricate complexities of racism and Islamophobia in school settings and presents effective pedagogical approaches that teachers can incorporate into their curricula to develop students' social and political awareness through critical media literacy while fostering positive relationships among them based on mutual respect and appreciation of their cultures.
To engage in academic work is to step into a space where transitions-between identities, ways of knowing, and academic expectations-are inevitable and necessary. This piece reflects my journey as a PhD candidate, singer, and educator, exploring the quest for an embodied academic voice. It examines how voice-both literal and metaphorical-shapes learning spaces and how performative and embodied knowledge contribute to inclusive academic environments and communities. This work is a revised version of my PhD oral defense, completed in 2023. I share it to inspire other PhD candidates and scholars to explore alternative ways of creating knowledge where embodied ways of knowing are central. Drawing from new materialisms and feminist theory, I argue that academic voices are relational, porous, and in flux rather than static or singular. Through storytelling, I reflect on moments of struggle, discovery, and transformation, engaging in dialogues with both theory and personal experience to encourage holistic and inclusive learning spaces.
This article presents the findings of a full-day professional learning workshop where K-3 educators explored student engagement during literacy learning. Drawing on a narrative approach, the authors discuss the conceptualizations of literacy engagement from initial to shifting to deepened. Data sources include literacy engagement artifacts shared by the educators as well as multimodal representations of engaged learners/engaged educators. Educators' (re)thinking highlighted the complex, and sometimes messy nature of literacy engagement and illuminated the importance of active educator engagement.
Educators need to provide students with opportunities for experiential learning, inquiry-based exploration, and collaborative discussion. Students bring an amalgam of diverse ideas to the classroom; knowledge-building principles provide a framework for inclusive learning experiences that strengthen engagement, content retention, and positive well-being. In this article, we explore how educators can use knowledge building and holistic pedagogy to create scintillating learning spaces. Such environments help students develop a deep sense of personal and social accountability. To illustrate our reflections, we accompany our conclusions with vivid collage art that captures the beauty of complex human experiences.
In this five-year co-curricular-making project, participants individually and collectively engage in the messiness of ongoing meaning-making. Such curricular terrain acknowledges the particulars of individuals and place to provide the needed context as 100+ practicing and 140+ prospective educators seek un/decolonized and Indigenized co-curricular pathways. The documentation of educators' increasing cognizance of the relational interdependency of seeing with acting in classrooms reorients and furthers learners and learning. Modes of being with associated habits and practices emerge, revealing potential within the capacity of reciprocity for education's reparation and renewal, forming the necessary messy practice ground for long-term investment in curricular un/decolonization and Indigenization.
Through a doctoral experience that altered my personal and professional identities, I developed an unexpected fondness for Venn diagrams. They meaningfully transformed my ideation, self-reflection, and research processes. More than logical figures, Venn diagrams are inspiring, embracing, and empathetic zones that offer room to grow and space to think, and where commonalities and differences can be celebrated. This paper is an homage to the inspirational circular shapes of the Venn diagram; not only have they transformed me, but they can ignite ideation, nurture connections, and foster growth for all teachers, students, and scholars out there.
Many arts teachers are self-employed due to the lack of traditional forms of employment available. The purpose of this study was to understand the messiness of employment patterns of self-employed music, drama, dance, and visual arts teachers to support current and future educators. The overarching question that informed this study was: What is the nature of self-employed arts educators' work and relationships? Elder's life course perspective was used to analyze diverse lives in connection with social interconnectedness and transitions (Elder et al., 2003). Results of this study suggest that business training and social connections are vital to self-employed arts teachers' success.
This commentary presents six pieces from the Que du Love (Only Love) exhibition, which was led by photographer Amelia Segrera and Chalet Kent staff, multimedia director Marilia Beltrame, interviewer and writer Fabiana Diaz, and curator Karl-André St-Victor. The five original photographs featured here were taken on 35 mm film by Segrera, and each features a young person accompanied by their words about love, which are excerpts taken from their interviews. We also include three poems, in French, from student Rania Guerasse, exploring some of the visceral and spiritual intensities of love and heartbreak.
In this dialogue, Karl-André St-Victor and Dr. Jessica Ruglis discuss the concepts of wellbeing for youth and supporting young people in being well. Karl is the Executive Director of Chalet Kent, while Jessica is an Associate Professor of Human Development at McGill University and a Board Member at Chalet Kent. They have collaborated for the past eight years, and in this commentary, they discuss supporting the wellbeing of young people through two recent community projects: Que du Love (Only Love), a multimedia project; and the newly founded Uptown Institute, which aims to support young adults into flourishing lives. The dialogue is facilitated by Dr. Bronwen Low, Associate Professor of Education at McGill University and a long-standing partner and former Board President of Chalet Kent. The conversation touches on aspects of education, relationship building, trust, power, change, art, home, and the future.
