My focus in this piece is on the interplay between the legal concepts of work, copy and adaptation in light of the now ubiquitous ‘new’ forms or genres of works that online networks enabled. Can European copyright law accommodate the increased fluidity of some of these work genres? What avenues might be taken to attenuate the gap between legal and social practices? I explore potential avenues for reform, and in doing so take on board some insights from non-legal disciplines, notably genre and adaptations studies.
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