Abstract Following the passing of the first and second generations of Holocaust writers, whose works were deeply rooted in personal and familial experiences, the third generation has emerged with a distinct focus on commemorating the memory of those who perished. In this article, we analyse six representative Anglophone works (Foer, Krauss, Skibell, Chabon, Mendelsohn and Zusak) using a comparative narratological approach grounded in post-memory and trauma studies. We argue that mythic intertexts and genre hybridity (fantasy, detective and comics) reframe Holocaust memory for contemporary audiences while negotiating ethical accountability and market reception. This new wave of writers has brought a fresh perspective to Holocaust literature, using a variety of artistic approaches and aesthetic modes to represent the trauma, loss and resilience of the past. As a result, the genre has evolved from a niche field into a widely recognized and critically acclaimed body of work. These writers often incorporate myth, folklore and symbolism into their narratives, creating a space for imagination and cultural reflection. By moving beyond traditional family-centred stories and realist portrayals, the third generation expands the boundaries of post-memory Holocaust literature. Their works not only preserve historical memory but also explore the complexities of identity, heritage and collective trauma. In doing so, they offer new ways to engage with the past, ensuring that the stories of those who lived through the Holocaust continue to resonate with contemporary audiences.
原文链接
分享
引用
