冯至作为一个从五四时期走向革命年代的中国现代诗人,被置于传统、现代与革命的三重空间中.冯至的诗学探索也呈现出三重面向:承袭古典诗歌理论,主张诗歌的抒情性;吸收西方现代诗歌理论,丰富新诗形式;回应时代诉求,强调诗歌创作的严谨与真实性.在这三重空间中,冯至看到随着社会的发展、语言的演变,诗歌自身也产生一种对"新形式与新格律呼唤"的新要求.

诗话不仅在中国古代兴盛,还影响到古朝鲜.《诗家点灯》是古朝鲜后期实学派思想家李圭景创作的诗话著作.在《诗家点灯》中,有关诗歌本质的论述延续了中国古代诗学中"诗言志""诗缘情"的主题.李圭景诗歌批评体系中的创作论、文本论、接受论呈现出对中国宋代诗话的借鉴与融合.

The relationship between China and Japan at Yuan Dynasty manly embodies in the war conflict, trade exchanges etc, which presents complex situation of the national communication. Based on the strategic considerations, Kublai Khan launched two wars with Japan, which made the relationship between the two countries strained. However, the conflict did not interrupt the exchange of the trade and culture between the two countries, and had produced important influence on the two countries' development.