Popular Music is an international multi-disciplinary journal covering all aspects of the subject -from the formation of social group identities through popular music, to the workings of the global music industry, to how particular pieces of music are put together.The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location.Popular Music carries articles by scholars from a variety of disciplines and theoretical perspectives.Each issue contains substantial, authoritative and influential articles, topical pieces, and reviews of a wide range of books.Some issues are thematic.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Re-examining the concept of the 'independent' record company: the case of Wax Trax! records
One of the most important aspects of Corbett's trawl among the musical fringe is that it denies the genre definitions that usually constrain music books -this is not a book about jazz or rock or art music but about all of them...
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Angels of the Night. By Wilfrid Mellers. Oxford: Blackwell, 1986. 277pp. - A Star is Torn. By Robyn Archer and Diana Simmonds. London: Virago, 1986. 208pp. - I, Tina. By Tina Turner (with Kurt Loder). New York: Viking, 1986. 256pp. - Dreamgirl. By Mary Wilson. New York: St Martin's Press, 1986. 292pp. - California Dreamin'. By Michelle Phillips. New York: Warner Books, 1986. 193pp. - Volume 6 Issue 3
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.