AbstractIn the present chapter, the design of select margins of late medieval Old Norse manuscripts containing the Icelandic ‘Jónsbók’, ‘Kristinréttr Árna biskups’ and Norwegian ‘Landslǫg’ law codes is addressed. In particular, it discusses the size and fillings of margins in these codices and the relation to their modes of use by original clients and later owners. Although it is well-known that Scandinavian law manuscripts contain a large number of notes written by both original and later users, the particular use of marginal spaces by original scribes and illuminators for glosses and other annotations and illuminations has scarcely been investigated to date. In my contribution, two distinctive features will be addressed: (1.) The different use of margins by Norwegian and Icelandic readers of the manuscripts, and (2.) the use of margins by illuminators surrounding the column(s) and incorporated initials.
This issue of ‘Das Mittelalter’ explores the voice of small things. We approach artefacts that are no bigger than one’s hand not as silent witnesses to people’s lives, but as agents that actively engage with human beings through the senses, shape their social identities and evoke emotions. For close to forty years or more, archaeologists have argued that medieval people understood objects to have particular social meaning as indicated by the curation of heirlooms, the re-use of prehistoric axes as grave gifts, or the special relationship to devotional objects such as pilgrim badges. A similar situation exists across other cognate disciplines from discussions of seals in art history or the particular meanings of things in plays as discussed by literary scholars. When the miniature scale is addressed, it
AbstractThe society depicted in the Icelandic family sagas has often been characterised as the archetype of a ‘feuding society’. The disputing strategies found in the sagas have therefore served as an argument that the prescriptions of the laws which curb revenge were irrelevant in socio-legal practice. This dominance of the feud as the actual ‘law’ crystallising in saga disputes is questioned through a close analysis of gender roles. While ‘classical’ sagas frequently apply the motif of the female whetter who forces a male character to take action or lose his manly honour, thus stabilising the feuding mechanism, the contemporary sagas and non-canonical family sagas display a wide variety of male-female interaction in the negotiation of social resources and legal obligations. The systematic look at non-canonical passages reveals a discourse of counsel, in which gender roles are fluid and interchangeable. This fluidity reveals an implicit theory of ‘law’ in the sense of doing conflict which stresses the stabilising forces supporting written law opposed to the motif of the whetter, which comes to form a central element of the imagination of the Icelandic heroic age.
Abstract This article examines two short narratives by Hans Sachs, ‘Of the Lost Talking Gulden’ (1553) and ‘The Poor Complaining Horse Hide’ (1557), as early ‘it-narratives’ that feature material things as their narrators, focalisers and protagonists: a gulden coin, and a horse hide that is then made into a shoe respectively. The small size of these things and their interaction with humans here works not to make them accessible for human handling, but allows them to provide a macro- and a micro-perspective on human society as an alternative to the normal anthropocentric view of sensory perceptions.
