This article examines public housing as a multidimensional social infrastructure, challenging the unidimensional interpretations that continue to shape public debate and policy. To capture the variety of social infrastructures operating within complex urban contexts, it proposes a multidimensional analytical framework articulated through a two-axis conceptual matrix (material/immaterial; universal/situated). Based on ethnographic research conducted in Taverna del Ferro, a large public housing complex in Naples currently undergoing a PNRR-funded regeneration project, the study shows how social infrastructures emerge from the interplay of care practices, political resistance, local identities, and institutional interventions. The case demonstrates that public housing embodies political, symbolic, and reproductive potential that must be recognised to design regeneration processes genuinely grounded in local contexts.
This study examines collective land tenures as socio-ecological infrastructures articulating multi-scalar relationships among local communities, rural commons, and mountain governance. Despite extensive dismantling and erasure during the twentieth century, these institutions persist as self-governed systems supported by statutes and assembly-based practices. Drawing on qualitative methods including participant observation, interviews and walking as a research method in the mountain territories of L'Aquila, the research shows how collective land tenures continue to sustain ecological stewardship yet struggle to reproduce civic participation and territorial habitability due to depopulation and the erosion of cultural transmission. Recognizing them as socio-ecological infrastructures highlights their potential for civic regeneration, ecological care, and shared decision-making, offering self-organized responses to contemporary political and socio-ecological challenges in mountain areas.
This article examines how urban green spaces act as social infrastructures capable of countering fragmentation in contexts marked by austerity, marginalisation and the erosion of collective life. Drawing on critical perspectives on roots and identity, it interprets green-space care as a form of re-rooting through which communities rebuild relations, memories and shared attachments. Using Parco Uditore in Palermo as a case study, the article explores how bottom-up management fosters social cohesion, produces territorial knowledge and supports new forms of citizenship, while also revealing structural vulnerabilities and limits to replicability. The findings show how community-led green spaces can rekindle bonds of place and open pathways toward more shared and meaningful ways of inhabiting the city.
This paper examines how the dismantling and partial rebuilding of care-related social infrastructures in the Antico Corso neighbourhood of Catania has reshaped everyday life and local power relations. The closure of three historic hospitals-an outcome of prolonged urban austerity-has profoundly altered the neighbourhood's sense of place. Drawing on a qualitative approach that includes ethnography, interviews, document analysis, and participant observation, the paper shows how institutional narratives present these closures as inevitable and beneficial, legitimizing top-down "urban regeneration" while excluding residents from meaningful decision-making. Many inhabitants respond with a mix of anger and resignation, perceiving the loss of the hospitals as a wound to the neighbourhood's identity. At the same time, feminist collectives, civic committees, and grassroots organizations are developing alternative narratives and practices of social and territorial care. These initiatives contribute to redefining the neighbourhood from below and contest the spatial consequences of austerity. The paper argues that the crisis of social reproduction manifests not only as an economic issue, but as a spatial and political struggle that generates both new forms of marginalization and innovative practices of resistance and belonging. The case of Catania highlights the specificities and contradictions of austerity urbanism in Southern Italy.
According to Jameson, erasure is a key mechanism by which dominant ideology shapes collective consciousness in capitalism, sidelining social contradictions via symbolically charged narratives (Jameson 1981). Based on a cartographic workshop with Rione Sanity Educational Network in Naples, Italy, this article deconstructs the hegemonic urban regeneration narrative by uncovering the hidden wounds of the district, which have been removed from the official discourse on urban regeneration. In particular, the empirical findings of the study illuminate three dimensions of the repressed: the labour-intensive burden of educational work upon which the weight of the crisis of social reproduction falls; the thinning of public spaces for children and adolescents; the loss of essential social infrastructures for the district and its habitability.
This article examines Youth Social Infrastructures (YSIs) in two marginalised neighbourhoods of Palermo-San Filippo Neri (ZEN) and Uditore-Passo di Rigano-exploring how places and organisations enable or constrain young people's participation and sociality in contexts marked by public disinvestment and territorial stigmatisation. Drawing on ethnographic research, the study investigates formal spaces managed by third sector organisations and informal spaces of spontaneous aggregation. The analysis identifies key capacities of YSIs-including continuity, safe spaces, networking, and advocacy-alongside critical limitations: funding precarity, numerical inadequacy, difficulties in institutional co-design, limited youth self-determination, and deficit-based narratives that risk reinforcing stigmatisation. By examining YSIs in context and in contest, the article highlights the tension between grassroots vitality and structural fragility in southern European marginalised contexts.
This work retraces the transformation of the Antico Corso neighbourhood in Catania. Here, the ongoing ambitious project to convert a dismantled hospital into a multifunctional site including museum services and students' housing is critically reinterpreted in light of processes layered over time in the district, dating back to the late 1970s conversion of a former Baroque convent into a university campus and to the gradual studentification that unfolded over three decades, recently intersecting with the growth of tourist accommodation. The dismantling and reorganization of public services, integrated with or replaced by new, elitist or privatized functions such as university education, cultural consumption, and tourism practices, make it even more crucial to reflect through a historical lens on the district habitability and on the role of social reproduction for the local community.
This article examines traditional living places and socioecological reproduction as infrastructure among farmers practicing natural and regenerative agriculture in Southern Puglia. Exploring intergenerational knowledge, it shows how farmers enhance socio ecological systems through cooperation with natural laws and refusal of extractivism. Case studies include "Torre dei Mastro" (Castellana Grotte), "Amadeco" (Salento), and neo-farmers in and around the Itria Valley. Findings show how neoliberal threats affect farmers' capacity to sustain their systems, while double movement, self-governance and selfsustainability emerge, rooted in place-consciousness and autopoiesi. These practices embody restanza, stressing the potential of traditional farming for socio-ecological reproduction and their medium-long term potential socio-territorial change.
In recent years, the growing dialogue between contemporary art and sustainability has found fertile ground also in ecomuseums. Inspired by international experiences such as Ice Watch by Olafur Eliasson and Minik Rosing, or Aerocene by Tom & aacute;s Saraceno, art has become a key driver in raising awareness of ecological crises. Creative interventions now resonate in European ecomuseums, particularly those in the Mediterranean area, where context-sensitive installations, and collaborative workshops are reshaping the connections between people, biodiversity, and place. This article explores how, between 2011 and 2024, artistic approaches in 26 case studies from France, Italy, Spain, and Portugal have contributed to a new artistic geography. Artistic languages serve as tools for ecological engagement, blending local knowledge and visual culture. The study proposes a framework in which art and biodiversity converge to foster shared ecological responsibility.
Music, understood as an expressive form of popular culture, can become a moment for artists to reflect and become aware of current issues and a tool for the production and dissemination of environmental discourses. In a hybrid field between environmental, cultural, and media geographies, this contribution analyses the lyrics of 20 recent Italian songs dedicated to the defence of the planet. The aim is exploring how musical texts has represented the intricate relationship between the environment and human beings, particularly using metaphors. The research reveals that musical lyrics under examination have associated nature and the Earth with various scientific or religious concepts, but also with multiple images of women, reproducing environmental discourses centred on anthropocentric or patriarchal ideologies.
This article proposes a critical re-reading of contemporary wine geographies through the notion of counter-geographies, focusing on acquata-a traditional post-fermentative beverage derived from the rehydration of grape pomace-as an epistemic and territorial device capable of reconfiguring the cultural and ecological meanings of wine production. Building on the theoretical framework of post-alcoholic enotourism, the study explores how emerging "NoLo" (no-and low-alcohol) consumption regimes intersect with transformations in rural landscapes, sustainability policies, and socio-symbolic practices of conviviality. Historical and geographical analysis reveals that acquata, far from being a marginal residue of pre-industrial viticulture, embodies a vernacular knowledge system rooted in circular use of resources, social equity, and ecological restraint. Its historical erasure through modern regulatory frameworks reflects broader processes of epistemic and territorial exclusion within capitalist agri-food regimes. By reactivating acquata as a cultural and political tool, the paper advances the hypothesis of a regenerative geography of wine, in which residual practices and marginal knowledges serve as generative forces for more inclusive, sustainable, and plural forms of enotourism and territorial identity.
Prior to the advent of the Coronavirus pandemic, the Hajar Mountains, which are renowned for their distinctive peaked hills (Jebel Akhdar and Jebel Shams), were primarily frequented by the local community. However,recent years have seen a significant rise in international visitors, particularly to the mountain villages of northern Oman, known for their unique natural and cultural heritage. Key elements include the wadis, seasonal riverbeds, and the aflaj, ancient irrigation channels crucial for agriculture and daily life. Among the most significant aflaj are Falaj al-Khatmeen (Birkat Al Mouz) and Falaj Daris (Nizwa), both UNESCO World Heritage Sites. Despite their cultural value, these sites experience short tourist stays, usually not exceeding two days. This study explores tourist flows, visitor motivations, and local tour guides' perspectives, using archival research, field surveys, and semi-structured interviews. The findings highlight the need for a new tourism strategy, shifting from a transit-based model to a sustainable tourism approach. Proposed itineraries integrating Birkat Al Mouz and Nizwa aim to extend tourist stays, enhance engagement with the region's cultural and natural assets, and generate lasting economic benefits for local communities. By promoting responsible tourism, this study advocates for the protection of UNESCO sites, cultural heritage preservation, and the active involvement of local populations in tourism development.
The main institutional and economic phenomena that emerged in the Modern Age and that favored the subsequent birth of geopolitics in the 19th and 20th centuries are the following: the transition from the patrimonial dynastic State to the absolute State, the birth of political borders and related cartography, religious wars and their overcoming, the challenge of the Ottoman Empire to Europe, geographical discoveries, the capitalist organization of the world. These phenomena gave rise to a territorialist geopolitical thought in the Age of Imperialism, more sensitive, that is, to the political-military appropriation of the world than to the cultural, commercial and financial control of territories.
In recent decades, the historiography dedicated to the Duchy of Savoy has reflected at length on the theme of the borders and frontiers of the pre-alpine dominions, investigating in depth the composite nature of those territories between discontinuities (the Monferrato, the marquisate of Saluzzo, imperial and papal fiefs ...) and attempts at assimilation. Reasoning around a text such as Giovanni Botero's Relazione di Piamonte of 1607, we intend to retrace in a geopolitical key the agglutination of the Savoy territories, taking into account both local and international dynamics of the second half of the 16th century. Amidst tensions with France along the Alpine ridge, internal frictions with the Waldensian valleys, and Mediterranean projections, the complex picture will emerge within which Charles Emmanuel I on the one hand consolidated the achievements of his father Emmanuel Philibert with the peace of Cateau-Cambresis, and on the other prepared the breakaway from Spain in the wake of the conflicts over the succession of Mantua and Monferrato (1613-1618; 1627-1631).
Questioning the role of images in the communication and valorization of biodiversity, as well as in the constitution of cultural geographic imaginaries and environmental sensibilities, this paper focuses on the aesthetics of marine landscapes in some contemporary artistic and activist practices. More specifically, it investigates the function of photography in the construction and deconstruction of stereotypes related to coastal areas and islands (between artistic traditions and tourist imaginaries), thus in the representation of issues related to biodiversity. Contrary to approaches that tend to show marine landscapes exclusively as picturesque or sublime sceneries, projects such as Else, All Will Be Still (Ravi Agarwal, 2013-2015), After the Storm (Amy Balkin, 2016), The Shape of Water Vanishes in Water (Marina Caneve, 2018) and Invisible-Paysages productifs (Nicolas Floc'h, 2018-2020), seek to express the environmental, social and economic inequalities aggravated by climate change and its consequences on marine biodiversity.
