韦勒克从"整体性"的立场来"理解文学与评价文学",其理论与现实意义有三:其一,"整体性"文学批评观以辨证综合的批评观念取代权力话语的理论独白,将文学批评话语导向良性和谐的文学生态场域:其二,"整体性"文学批评观有利于缓解当代文学批评的阐释性焦虑,为重塑汉语诗学的新秩序提供了理论话语资源;其三,"整体性"文学批评观警示我们在这个"无思"的时代,如何以诗与思的方式重构文学之为文学的审美精神.
The present article discusses the poetic logic behind the very common rhetorical techniques of metonymy and metaphor.From the perspective of semiotics,metaphor and metonymy are not special uses of language;rather,they are the products of indexical and iconic reasoning that we encounter everywhere in social life.This article also touches upon the late professor Qian Zhongshu’s theory of two handles and many sides of a metaphor which throws light on the polysemy and diversity of metaphorical devices.
The political hegemony of science and technology has been going through a process of prevailing over areas of material production to those of spiritual production,to idealogical level and eventually obtain speech hegemony.It is a freak born of the alienation of science and technology.It destroys the independent nature of science and technology,distorts and essence of science and technology,confuses the functions of science,politics and economy and affects the normal development of these areas.The political hegemony of science and technology jeorpodizes the relationship between man and intrument and will evetually alienate the relationship between man and man,between man and society.
Today,under the universal hatred towards centralization and autocracy,and Herta Muller,for this very reason was awarded the Nobel Prize in Literature,and was therefore hailed as a hero who fights for justice.However,when we examine closely her position and what her words really reveal,we would find an ideologically biased and narrow-minded Herta Muller under the coat of anti-centralization and anti-autocracy.All of her works tell the stories of Germanic Romanians and the purpose of her writings seems to be solely for the the Germanic people.She is,as a matter of fact,a person with a strong ideaological and ethnic bias.
The world renowned Olympic Games is an event for cross-cultural communication.The mascot of Olympic Games has always been regarded as an important brand symbol and subject for innovation by all the host countries.Particularly under the stimulation of double cultural elements of globalization and localization,the design of the Olympic mascot has evolved to be a symbol not only reflecting the general trend of globalization,but also the different cultural symbols of various national cultures.In this paper,the author takes the Olympic mascots as an example.Through the analysis of symbol design and symbolic meaning and so on,the author discusses three aspects: 1.The inherent association between mascot design and the change of the national culture.2.The unique culture and values reflected in the mascots.3.The acceptance of mascot across different culture background.
