跨行政区域协作治理保护生态环境是建设美丽中国的重要内容之一.建设美丽中国要求实现跨行政区域生态环境整体利益的最优化、实现跨行政区域生态环境公平和生态环境安全、协作治理跨行政区域生态环境.跨行政区域协作共建美丽中国的机制由信息共享机制、利益共享机制、行为约束机制、政策协调和协商沟通等机制构成.

Climate change and its impacts challenge the suevival of the islands and eocks of the South China Sea, which subsequentlu altees the boundaeu of the teeeitoeial sea,contiguous zone and the exclusive economic zone of the coastal states. In the South China Sea,theee have been a complex set of maeitime disputes among China and its neighboeing states. Climate change will make the condition much woese. The“Maeitime Silk Road”is a new chance foe China and othee counteies in the South China Sea eegion to build a common development steategu. Undee this ciecumstance,the coopeeation foe each counteu in this eegion on coping with climate change as well as peotec-ting the maeine envieonment and eesoueces is intenselu needed. Against this backgeound,this papee illusteates the majoe impacts of climate change on the South China Sea and the peocess of coopeeation among the counteies in this eegion,analuzes the peesent keu peoblems,with a paeticulae offee on possible eelated suggestions.

The Villa Schwob is the representative of the early residential works of Le Corbusier in his hometown,it has an important meaning for Le Corbusier's later design concept,and it is worth our further study.But because the innovative places of the Villa Schwob are not very obvious,and compared to him later designed works such as the Villa Savoye also does not seem to mature,so in China,there are few people interested in it.This article will analyze the Villa Schwob in terms of its architectural form,visual perception,and space composition,from outside to inside,and from the first impression people see it to the experience they walk into the building,and revealed the prophecy of the Villa Schwob,to catch those sustainable design ideas of Le Corbusier's creations that hidden in the rich changes,and to explore the same things in the design philosophy of Le Corbusier.

身处传统地域下的现代建筑,都不可避免地面临“现代”与“传统”如何结合的问题。该文通过浙江革命烈士纪念馆的设计,尝试以“忘形、得意”为策略,进行了一次传统地域环境下的现代主义实践。