This study was specially tailored to develop an approach to colour scheme evaluation for works of art within an interior with aim to create a comfortable and harmonious living space.To achieve the study objectives, the following methods were applied: article review; systematic review of key compositional and colour links which exist between the interior and an art object; algorithmic modelling.The study has resulted in developing standards of coordinating the interior with works of art, namely: the principles of coordinating the interior colour scheme and the visual art objects; the principle of impact of lighting on perception of colour combinations present in art-objects and the interior; the principle of impact of specific surface materials on perception of colour in an art-object an interior.Based on these standards of typical colour combinations in compositional scenarios were developed and analysed, also they were applied in designing flow charts and developing an algorithmic system.The algorithm underwent preliminary testing.The obtained results are in favour of its practical application in assessing the colour of art-objects with aim to harmonising the overall colour scheme in an interior.

International scientific and practical conference «Mathematics, physics, mechanics, astronomy, computer science and cybernetics: issues of produc- tive interaction» : conference proceedings, July 9–10, 2021. Wloclawek, Republic of Poland : «Baltija Publishing», 2021. 59 pages.

International scientific conference «Modern European psychological and pedagogical education. The development of a creative learning environment» : conference proceedings, October 8–9, 2021. Łódź, the Republic of Poland : “Baltija Publishing”, 2021. 162 pages.

The article discusses the characteristics and features of the color formation in nature for solving problems of ecological architecture. The analysis of the main directions of research on the significance and possibilities of color solutions in creating an ecologically sustainable urban environment is presented. It is proposed to use analogs of nature to obtain natural features and qualities of ecological design of buildings, including in the formation of the color structural component of the design. As a result of the analysis of the studies, the mechanisms of color formation in nature, based on functional expediency, adaptation to the conditions of life in the environment, have been identified. The mechanism of formation of pigment, structural and combined colors in nature is considered. On the basis of the presented analysis of the functionality of color formation in nature, coloristic means of regulating the energy-efficient and environmental parameters of the building, namely thermoregulation, regulation of illumination, humidity, are identified. The examples of color solutions of building finishing aimed at adaptation to external environmental conditions are analyzed. The methods and possibilities of forming the color structure on the basis of the studied natural analogues for solving the problems of modern ecological architecture are systematized.

The article examines the evolution of the role of architect – artist, his properties, based on the study of architectural, artistic, monumental features, both historical stages and modernity on the examples of architectural objects, design synthesis of arts – sculpture, painting, monumental and decorative art. The expediency of generalizing the nature of different attitudes to the architect as a specialist – an architect-artist in order to popularize the profession is substantiated. The article substantiates the study of the role of the architect in the historical development of architecture, the peculiarities of the perception of the architect as the main in the formation of the architectural environment, socio-political, historical events of society to promote it and approve the architect as the main builder, making the name of the architect of the object in history. The expediency of the attitude to the architect as to the specialist – the architect-artist, for the purpose of popularization of a profession is proved. The article examines the historical stages and styles in architecture, from ancient times the formation of human environment for existence and ending with the present. Theoretical methods, generalization of information are used in the work when considering scientific research related to the historical periods of architecture of the world and Ukraine. It is important to deepen the understanding of the culture of the profession. The generalization of research results provides material for understanding the role of the architect's profession as the main one in the implementation of the postulate "expediency, benefit, beauty", as well as in the implementation of theoretical research in the educational process of architects and designers and is a continuation of previous research.

The article describes the synthesis of arts in architecture of Ukraine, its properties, drawing on architectural, artistic, monumental features styles ranging from art Nouveau, Ukrainian architectural modernism, modernism of the first half of the twentieth century., postmodernism, decorative and other stylistic trends of late XX – early XXI century on examples of architecture, sculpture, painting, monumental-decorative art.The expediency of generalization of the features of synthesis of arts on the basis of socio-political, historical events, aimed at promotion of cultural heritage.Special attention is devoted to synthesis of the arts of modernism, which existed as an instantaneous manifestation of universal history, attracted great attention of scientists that tracked even the names of this style in Ukraine: "clean modern", "stilthouse", "rationalist", "Ukrainian architectural style", "Ukrainian architectural modern".In the period of Soviet architecture special attention and interest takes time, which is called a "revolutionary romantic", a monumental ideological propaganda that were based on the modernization of styles and can be seen in functionalism. Despite the purpose of display of fictitious wealth, the artists were constantly trying to approach the playing of the Ukrainian national traditions, especially in the postwar period, when successfully combined the traditions of classicism is a purely Ukrainian, Ukrainian Baroque and folk architecture. Consideration of imagery, functionality has always been coupled with the identification of interior decoration in sculpture, plastic, metal, monumental and decorative panels.Modern times, the independence associated with understanding of the fundamental socio-political problems in the architecture when introducing new stylistic ideas of synthesis of arts that largely serves to revive the prestige of the profession.There was a significant amount of scientific and practical works, which are the basis for this and further research into the expression of the synthesis of arts in modern architecture.

The article analyzes the features of using media facades in the design of concert halls. The types of media facades, their advantages and disadvantages, the use of media facades in the modern architecture of public buildings are considered. The resulted theoretical and methodical bases of architectural designing of entertainment constructions in a combination to the newest media technologies. The prospects of observing the principles of aesthetic integrity and harmonization in the architecture and design of the media environment of the concert hall are proved. The media component of the architecture of the spectacular object makes it possible to form a composition that is not inherent in traditional architecture, but is inherent in cinematography, namely, the script and the plot. The features of combining architecture and visual information tools in a single media and architectural entertainment complex are considered. The advantages of using the synthesis of architectural and artistic means and media technologies, such as means of visual communication, media objects, media facades are proved.