We demonstrate a family of molecular precursors based on 7,10-dibromo-triphenylenes that can selectively produce different varieties of atomically precise porous graphene nanomaterials through the use of different synthetic environments. Upon Yamamoto polymerization of these molecules in solution, the free rotations of the triphenylene units around the C-C bonds result in the formation of cyclotrimers in high yields. In contrast, in on-surface polymerization of the same molecules on Au(111) these rotations are impeded, and the coupling proceeds toward the formation of long polymer chains. These chains can then be converted to porous graphene nanoribbons (pGNRs) by annealing. Correspondingly, the solution-synthesized cyclotrimers can also be deposited onto Au(111) and converted into porous nanographenes (pNGs) via thermal treatment. Thus, both processes start with the same molecular precursor and end with a porous graphene nanomaterial on Au(111), but the type of product, pNG or pGNR, depends on the specific coupling approach. We also produced extended nanoporous graphenes (NPGs) through the lateral fusion of highly aligned pGNRs on Au(111) that were grown at high coverage. The pNGs can also be synthesized directly in solution by Scholl oxidative cyclodehydrogenation of cyclotrimers. We demonstrate the generality of this approach by synthesizing two varieties of 7,10-dibromo-triphenylenes that selectively produced six nanoporous products with different dimensionalities. The basic 7,10-dibromo-triphenylene monomer is amenable to structural modifications, potentially providing access to many new porous graphene nanomaterials. We show that by constructing different porous structures from the same building blocks, it is possible to tune the energy band gap in a wide range.

We report a new diffusion-controlled on-surface synthesis approach for graphene nanoribbons (GNR) consisting of two types of precursor molecules, which exploits distinct differences in the surface mobilities of the precursors. This approach is a step towards a more controlled fabrication of complex GNR heterostructures and should be applicable to the on-surface synthesis of a variety of GNR heterojunctions.

AbstractThe on‐surface coupling of the prototypical precursor molecule for graphene nanoribbon synthesis, 6,11‐dibromo‐1,2,3,4‐tetraphenyltriphenylene (C42Br2H26, TPTP), and its non‐brominated analog hexaphenylbenzene (C42H30, HPB), was investigated on coinage metal substrates as a function of thermal treatment. For HPB, which forms non‐covalent 2D monolayers at room temperature, a thermally induced transition of the monolayer's structure could be achieved by moderate annealing, which is likely driven by π‐bond formation. It is found that the dibrominated carbon positions of TPTP do not guide the coupling if the growth occurs on a substrate at temperatures that are sufficient to initiate C−H bond activation. Instead, similar one‐dimensional molecular structures are obtained for both types of precursors, HPB and TPTP.

The Margravial Opera House Bayreuth, built between 1745 and 1750, is a well preserved Baroque court theatre designed by Giuseppe Galli Bibiena [1]. It provides an opportunity to experience not only the visual but also the acoustic design of opera theatres in the 18th century, as the bell-shaped auditorium along with the decoratively painted canvas remains intact. Using balloons and hand-claps as sound sources, we characterize the impulse response of this opera house after its recent renovation. The reverberation time (RT), early decay time (EDT) and clarity factor are characterized and discussed in comparison to historical Italian theatres of a similar age.

The Margravial Opera House Bayreuth, built between 1745 and 1750, is a well preserved Baroque court theatre designed by Giuseppe Galli Bibiena [1]. It provides an opportunity to experience not only the visual but also the acoustic design of opera theatres in the 18th century, as the bell-shaped auditorium along with the decoratively painted canvas remains intact. Using balloons and hand-claps as sound sources, we characterize the impulse response of this opera house after its recent renovation. The reverberation time (RT), early decay time (EDT) and clarity factor are characterized and discussed in comparison to historical Italian theatres of a similar age.