Analysing Priest's paintings, drawings, and sculptures, three authors discuss the artist's obsession with architectural space and modernism and refer to her use of source photography. Norden presents Priest's work as a reclamation of the grid for women. Biographical notes. Bibl. 2 p.

Referencing popular culture, Holubizky positions Scherman's narrative portraits as a challenge to preconceived notions inherent in the genre. Moos discusses the prevalence of cinematic devices in the artist's paintings, which re-examine fictional characters. Biographical notes. 63 bibl. ref.