The contributions to this issue of October respond to a questionnaire formu-lated by Benjamin Buchloh; revised and edited by the editors of October', and then circulated to a number of artists, writers, academics (both faculty and graduate students), curators, and critics in June 2007. Rather than addressing intellectuals, academics, or scientists at large, we felt we should address those with whom the editors of October could claim to be linked by professional categories. We asked how they would begin to evaluate and explain the seeming absence of visible opposition to the Iraq War during the past four-now almost five-years within the milieu of cultural producers working in the sphere of contemporary visual culture. This is not to suggest that there is no opposition to the Iraq War; on the contrary, when polled during the past year, the majority of Americans, after initially offering support, now appear to be against it. But …

January 01 2008 Said said … Judith Barry Judith Barry An artist and writer living in New York. In April 2008, a survey of her work begins at Domus Atrium 2 in Salamanca and will travel in Europe. Search for other works by this author on: This Site Google Scholar Author and Article Information Judith Barry An artist and writer living in New York. In April 2008, a survey of her work begins at Domus Atrium 2 in Salamanca and will travel in Europe. Online Issn: 1536-013X Print Issn: 0162-2870 © 2008 October Magazine, Ltd. and Massachusetts Institute of Technology2008 October (2008) (123): 14–19. https://doi.org/10.1162/octo.2008.123.1.14 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Judith Barry; Said said …. October 2008; (123): 14–19. doi: https://doi.org/10.1162/octo.2008.123.1.14 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsOctober Search Advanced Search This content is only available as a PDF. © 2008 October Magazine, Ltd. and Massachusetts Institute of Technology2008 Article PDF first page preview Close Modal You do not currently have access to this content.

In May 1560 a new office was established in the Irish administration, the first to be introduced in almost twenty years. It was that strange creation, the office of secretary of state for Ireland. The chief inspiration behind its foundation was Thomas Radcliffe, earl of Sussex, and it is clear from his writings on the subject that he believed some special office of this kind was needed if the policy of reestablishing English government in Ireland was to be implemented successfully.

“Illuminating Video” is an anthology that includes 25 essays and 12 artist’s projects covering a variety of topics and perspectives on video art. It is divided into five major sections: the history of video art; its contexts; accessibility or audience reception; the syntax of video; and narrative. Hall and Fifer’s introduction describes the book as an attempt to address the complexities of the art form. Notes on contributors. Videography and video index; name and subject index. Bibliography 21 p. Circa 450 bibl. ref.

In conjuction with an exhibition of site-specific public art in four British cities, curators, critics, artists, and academics discuss the ramifications of public sculpture, focusing on how the meaning of monuments is transformed historically and culturally, and how artists critique the public realm by looking at political and social issues, such as the gendering of space. Biographical notes on 28 artists. 2 bibl. ref.

Town's introductory text examines the issues of representation and spectatorship in the installation works of three artists who use projected images in the form of slides and films. Essays on the individual artists give further insight into their use of cinematic techniques and references, as well as their concern for viewer complicity. Biographical notes. 21 bibl. ref.

Textual Strategies: The Politics of Art Making Get access Judith Barry, Judith Barry Search for other works by this author on: Oxford Academic Google Scholar Sandy Flitterman Sandy Flitterman Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 21, Issue 2, Summer 1980, Pages 35–48, https://doi.org/10.1093/screen/21.2.35 Published: 01 July 1980