Heidegger commentator J. L. Mehta includes in his book the following quote from Heidegger: “Der Wanderschaft in der Wegrichtung zum Fragwürdigen ist nicht Abenteur sondern Heimkehr.” Adapting this idea to the purpose of my own project in this article, I propose: Wandering on the Footpath of Freedom is both an Adventure and a Homecoming! The aim of this article is to explore the idea of freedom as it is developed in the philosophy of Martin Heidegger. The strategy here is to examine the salient remarks of several commentators, including Mehta, William Richardson, Werner Brock, Charles Guignon, Rüdiger Safransky, and others. Some of the ideas explored here are: transcendence, overtness, authenticity, poetry and resoluteness.
The importance and influence of Karl Rahner’s theology is due in great part to the number of excellent scholars who have elucidated his thinking over the years. This article assembles considerations of Rahner’s idea of freedom as found in the rich secondary literature on Rahner. Rahner’s ethics, and indeed much of his theology, rests upon the idea of discernment, his own spiritual experience, and the Ignatian practice of discernment of spirits. Discipleship with Jesus and the love of neighbor, all undergirded by the person’s free response to God’s grace and revelation, is the horizon that embraces all of what Rahner has to say. The idea of freedom rests at the basis of Rahner’s understanding of the human person, our call to discipleship, and our fundamental choice to grow in God’s grace.
ABSTRACT This article provides a critical interpretation of Gerard Manley Hopkins' poetry and vision of reality by comparing some of his focal ideas with those of Alfred North Whitehead. There is a fairly explicit theological cosmology in Hopkins' poetry, just as there is poetic expression in the cosmology of Whitehead. The creative and idiosyncratic terms and phrases of Hopkins are explained as they are correlated with technical terms in Whitehead's cosmology. Some of the comparisons or tentative equations worked out in this article include creativity in Whitehead with instress in Hopkins, concrescence in Whitehead with inscape in Hopkins, style in Whitehead with selving in Hopkins, selftaste with satisfaction, and transmutation in Whitehead with rhyming in Hopkins.
AbstractThis article examines chiefly Buddhist influences in Thomas Merton. Cables to the Ace is a book based on the Buddhist idea of pratitya-samutpada, or dependent co-origination. Beneath everything there is a blissful emptiness, or shunyata. The ace is the poet's selfhood at the point vierge, here interpreted as a Buddhist no-self. Heidegger's Gelassenheit also defines the point vierge. In The Geography of Lograire, a supreme karuna, or compassion, is poured out for all the countries and peoples of the world. Footprints of the Buddha figure in, and so does the transparency which is also emptiness.
The sciences and popular views generally consider matter from the bottom up, that is, as the least common denominator underlying all of its various forms and realizations. In Rahner sensibility is matter looked at from the top down, that is, with a view to the highest realization of matter in human beings, and in Christ. In Whitehead creativity is matter, not inert or static but spontaneous and active, and creativity is matter viewed in light of its highest realizations in humans and in God. So, in Rahner and in Whitehead, matter is viewed in much the same way, called sensibility in Rahner, and creativity in Whitehead, and defined in terms of its actualization in human nature.
Journal Article THE TRINITY AFTER BREAKFAST: THEOLOGY AND IMAGINATION IN WALLACE STEVENS AND ALFRED NORTH WHITEHEAD Get access ROBERT E. DOUD ROBERT E. DOUD Search for other works by this author on: Oxford Academic Google Scholar Journal of the American Academy of Religion, Volume 52, Issue 3, September 1984, Pages 481–498, https://doi.org/10.1093/jaarel/52.3.481 Published: 01 September 1984