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Much of Dr Witek's work is centred on trying to understand how dance music experiences and practices emerge from interactions between embodied, neural, musical and social processes. She uses research methods from across experimental psychology, cognitive neuroscience, qualitative social psychology, digital music analysis and phenomenology. In 2022, she embarked on a research project funded by the Arts and Humanities Research Council, investigating Embodied Timing and Disability in DJ Practice. She is also a co-investigator on the Augmented Reality for Music Ensemble (ARME) project, which is testing a model of how music ensembles synchronise their playing to achieve a cohesive performance. The model will be used to develop a rehearsal system where musicians can practice with virtual ensembles that adapt their timing to the musician in real time.
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论文共 31 篇作者统计合作学者相似作者
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PloS oneno. 5 (2024): e0303309-e0303309
FRONTIERS IN PSYCHOLOGY (2024): 1326773-1326773
MUSIC PERCEPTIONno. 5 (2023): 353-372
SCIENCE-MUSIC BORDERLANDS: Reckoning with the Past and Imagining the Futurepp.161-181, (2023)
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biorxiv(2023)
PSYCHOLOGY OF MUSICpp.030573562311530-030573562311530, (2023)
arxiv(2022)
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The Oxford Handbook of Time in Musicpp.234-252, (2021)
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