
Abstract This article re-examines the manuscripts and textual tradition of Moeris’ lexicon, with particular attention to the so-called Vatican recension. It also discusses the structure of the lexicon and its relationship with the Ecloga of Thomas Magister. Finally, a new edition of the letter alpha is presented.
Abstract This article aims to offer a preliminary critical assessment of the Correspondence between Sebastiano Timpanaro (1923-2000) and Scevola Mariotti (1920-2000) , published in 2023. The analysis is di-vided into three main sections: 1. The genesis of the Correspondence , the extent of the documentary material, its collection and editorial history; 2. Points of interest in the Correspondence for its original recipients; 3. Points of interest in the Correspondence for present-day readers . Within this final section, four main aspects are identified: the Correspondence 3.1: as a resource for exegetical and textual-critical insights; 3.2: as a seminar per litteras ; 3.3: as documentation on Sebastiano Timpanaro and Scevola Mariotti; 3.4: as a book to be read in its entirety.
Abstract Codicological and paleographic analysis of the Terra d’Otranto manuscript Ambr. L 116 sup. (late 13th century), containing the text of the Iliad accompanied by scholia. Philological investigation of the scholia and analysis of the relationship between the main text and the exegetical paratext based on their mutual arrangement. Reconstruction of the facies of the common hyparchetype of the manuscripts Ambr. L 116 sup., Vat. gr. 1316, and Vind. phil. gr. 56. Remarks on the later history of the Ambrosian manuscript: in particular, a restoration leaf is here attributed to the so-called Scribe F, active in Thessaloniki during the 14th century in the erudite circle of Demetrios Triklinios.
Abstract Etymologicum Magnum s. v . κεραννύς (= 504, 25-35 Gaisford) attributes to a certain Pisander some information concerning the ancient custom of drinking horns. This notice is not included in the collection of fragments of either of the two Pisanders known from antiquity, Pisander of Camirus and Pisander of Laranda. The structure and sources of the gloss are analyzed, with a reflection on the possible identification of the Pisander mentioned here with one of his two namesakes.