河南宝丰清凉寺窑场为北宋末年官府设立的一处官窑,开创了烧制天青色、玉质感强的厚釉青瓷先河.宋室南迁之后在浙江上林湖地区和杭州分别烧制出类汝窑的低岭头类官窑和南宋官窑青瓷.为了科学揭示汝窑、低蛉头类官窑和南宋官窑之间在制釉技术上的传承关系,本文对三座窑的釉层元素组成、制釉原料和技术进行了科学研究,结果表明:(1)兰座窑瓷器的青瓷釉层主、次量元素组成类似,制釉技术具有明显的承继关系;(2)低岭头类官窑和南宋官窑青瓷可能采用了高K2O低TiO2含量的瓷石或长石类原料,同时石灰石和草木灰类原料按特定比例配釉以达到与汝官窑青瓷极其类似的元素组成特征;(3)低岭头类官窑和老虎洞南宋官窑并来采用南方传统越窑青瓷的以草木灰和瓷石的配釉技术,而是承继了北方汝官窑青瓷的核心制釉技术,创造出与浙江传统透明青釉瓷迥异的青瓷新产品.
从北宋中晚期开始,龙泉地区的青瓷逐渐形成自己的风格并走出越窑、瓯窑系统,进入中国古代青瓷史上的龙泉青瓷时代,其产品在中国各阶层和各地区普及.约当12至15世纪的数百年间,龙泉青瓷行销亚、非、欧很多国家和地区,不仅成为时尚,而且影响了各地的陶瓷生产技术.不同国家和地区对龙泉青瓷的使用、模仿,使龙泉青瓷既成为当时的文化共识,也开启了龙泉青瓷的全球化时代.
Guan ware is one of the five famous kilns in Song dynasty. In this paper, three Guan ware sherds excavated from Laohudong Kiln site and Juanyanchang site in Hangzhou were adopted as test samples. According to optical microscopy analysis, this paper discussed the sources and effects of the main glaze crystals(diopside and anorthite crystals), and their influence on the color and texture. The paper also made the observation on the microstructure of the multi-layer glaze. Based on the present multi-layer glaze study, the advantage of using thinsection method to study the mechanism of multi-layer glaze was discussed. All these conclusions can be promoted to the Southern Song dynasty Guan ware study in raw material and technology area.
In this paper, the chemical composition and microstructure of the Song dynasty Guan ware shards which were unearthed from Juan Yanchang, Yan Guanxiang, Wu Zhuang and Tai Miao in Hangzhou city were examined by EDXRF and OM. The provenance of 56 samples were discussed, and results showed that 48 samples may be produced in Hangzhou city, while 8 samples which bodies have different compositions and microstructure may be produced in Longquan kiln, but the specific kiln site in Longquan need further study.
2007年10月,"2007’中国·越窑高峰论坛"在绍兴举办。会议就越窑的时空概念、性质及组织形式、外销及在国内的传播、兴盛原因和秘色瓷的含义等问题展开了研讨。
