Users frequently edit camera images post-capture to achieve their preferred photofinishing style. While editing in the RAW domain provides greater accuracy and flexibility, most edits are performed on the camera’s display-referred output (e.g., 8-bit sRGB JPEG) since RAW images are rarely stored. Existing RAW reconstruction methods can recover RAW data from sRGB images, but these approaches are typically optimized for pixel-wise RAW reconstruction fidelity and tend to degrade under diverse rendering styles and editing operations. We introduce a plug-and-play, edit-aware loss function that can be integrated into any existing RAW reconstruction framework to make the recovered RAWs more robust to different rendering styles and edits. Our loss formulation incorporates a modular, differentiable image signal processor (ISP) that simulates realistic photofinishing pipelines with tunable parameters. During training, parameters for each ISP module are randomly sampled from carefully designed distributions that model practical variations in real camera processing. The loss is then computed in sRGB space between ground-truth and reconstructed RAWs rendered through this differentiable ISP. Incorporating our loss improves sRGB reconstruction quality by up to 1.5–2 dB PSNR across various editing conditions. Moreover, when applied to metadata-assisted RAW reconstruction methods, our approach enables fine-tuning for target edits, yielding further gains. Since photographic editing is the primary motivation for RAW reconstruction in consumer imaging, our simple yet effective loss function provides a general mechanism for enhancing edit fidelity and rendering flexibility across existing methods.

Digital cameras digitize scene light into linear raw representations, which the image signal processor (ISP) converts into display-ready outputs. While raw data preserves full sensor information–valuable for editing and vision tasks–formats such as Digital Negative (DNG) require large storage, making them impractical in constrained scenarios. In contrast, JPEG is a widely supported format, offering high compression efficiency and broad compatibility, but it is not well-suited for raw storage. This paper presents RawJPEG Adapter, a lightweight, learnable, and invertible preprocessing pipeline that adapts raw images for standard JPEG compression. Our method applies spatial and optional frequency-domain transforms, with compact parameters stored in the JPEG comment field, enabling accurate raw reconstruction. Experiments across multiple datasets show that our method achieves higher fidelity than direct JPEG storage, supports other codecs, and provides a favorable trade-off between compression ratio and reconstruction accuracy.

Digital zoom on smartphones relies on learning-based super-resolution (SR) models that operate on RAW sensor images, but obtaining sensor-specific training data is challenging due to the lack of ground-truth images. Synthetic data generation via ``unprocessing'' pipelines offers a potential solution by simulating the degradations that transform high-resolution (HR) images into their low-resolution (LR) counterparts. However, these pipelines can introduce domain gaps due to incomplete or unrealistic degradation modeling. In this paper, we demonstrate that principled and carefully designed degradation modeling can enhance SR performance in real-world conditions. Instead of relying on generic priors for camera blur and noise, we model device-specific degradations through calibration and unprocess publicly available rendered images into the RAW domain of different smartphones. Using these image pairs, we train a single-image RAW-to-RGB SR model and evaluate it on real data from a held-out device. Our experiments show that accurate degradation modeling leads to noticeable improvements, with our SR model outperforming baselines trained on large pools of arbitrarily chosen degradations. We will make our calibrated kernels and noise models publicly available, to facilitate research on image enhancement for mobile photography.

Cameras capture scene-referred linear raw images, which are processed by onboard image signal processors (ISPs) into display-referred 8-bit sRGB outputs. Although raw data is more faithful for low-level vision tasks, collecting large-scale raw datasets remains a major bottleneck, as existing datasets are limited and tied to specific camera hardware. Generative models offer a promising way to address this scarcity – however, existing diffusion frameworks are designed to synthesize photo-finished sRGB images rather than physically consistent linear representations. This paper presents RawGen, to our knowledge the first diffusion-based framework enabling text-to-raw generation for arbitrary target cameras, alongside sRGB-to-raw inversion. RawGen leverages the generative priors of large-scale sRGB diffusion models to synthesize physically meaningful linear outputs, such as CIE XYZ or camera-specific raw representations, via specialized processing in latent and pixel spaces. To handle unknown and diverse ISP pipelines and photo-finishing effects in diffusion-model training data, we build a many-to-one inverse-ISP dataset where multiple sRGB renditions of the same scene generated using diverse ISP parameters are anchored to a common scene-referred target. Fine-tuning a conditional denoiser and specialized decoder on this dataset allows RawGen to obtain camera-centric linear reconstructions that effectively invert the rendering pipeline. We demonstrate RawGen's superior performance over traditional inverse-ISP methods that assume a fixed ISP. Furthermore, we show that augmenting training pipelines with RawGen's scalable, text-driven synthetic data can benefit downstream low-level vision tasks.

Enhancing images to make them visually appealing is a persistent challenge in computer vision. Many deep-learning methods train models on paired datasets to replicate expert editing styles. However, these approaches struggle with two key issues: (1) interpretability and (2) a parametrization suitable for user adjustments. To address these challenges, we present NamedCurves+, an approach inspired by the concept of Color Naming, a universal set of familiar colors widely used in software tools for intuitive editing. Our method integrates color names into a learning-based framework, enabling global adjustments for each named color through tone curves. To address local image variations, we incorporate a transformer block that captures spatial dependencies, enabling context-aware edits across the image. NamedCurves+ enhances the retouching process's interpretability and supports user interaction, allowing flexible modifications of individual tone curves to refine the retouched image according to personal preferences. Extensive experiments on tasks such as image retouching, tone mapping, and exposure correction demonstrate that NamedCurves+ outperforms state-of-the-art methods. Notably, our approach is both explainable, as the tone curves explicitly represent how each color name contributes to the enhancement, and interactive, allowing users to customize the retouching process and achieve results tailored to their liking. Source code and models will be publicly available at: https://namedcurves.github.io.

Consumer cameras are ubiquitous in aquatic sciences because they are affordable and easy to use, generating vast collections of underwater imagery for ecosystem surveys, monitoring, mapping, and animal behavior studies. Yet when color is the variable of interest, such as in coral-bleaching research, most of these images cannot be used quantitatively if captured in JPEG format. The limitation is not due to JPEG compression itself, but to the in-camera processing that precedes it: as cameras produce these images, built-in algorithms modify colors and contrast not to ensure color accuracy but to produce visually pleasing pictures. These irreversible in-camera operations break the linear relationship between pixel values and scene radiance, making colors impossible to standardize, reproduce, or compare across cameras, locations, or time. This essay explains the scientific costs of this practice and offers pragmatic guidance to prevent irreversible data loss, beginning with the capture and archiving of minimally processed RAW images.

Generative AI (GenAI) image editors, such as Nano Banana, produce visually compelling results for retouching tasks, enabling non-experts to edit images through text prompts alone. However, the generative nature of these models often introduces spatial misalignment, texture distortion, and content hallucination, all of which are detrimental to downstream workflows that require pixel-level fidelity. We identify a problem setting we call "structure-preserving GenAI fusion" for black-box GenAI image retouching: retain the perceptual enhancements of a GenAI output while enforcing structural faithfulness to the original input image. To address this problem, we propose a post-processing framework that fuses an input image with its GenAI-enhanced counterpart by first establishing coarse spatial and photometric correspondences, then performing a fusion stage that transfers desired enhancements while suppressing hallucinated content. In the absence of direct prior work in this setting, we evaluate our framework against representative methods from photorealistic style transfer and image fusion. Our experiments demonstrate that our method better preserves aesthetic quality while maintaining pixel-level structural consistency and the input resolution.

Traditional in-camera colorimetric mapping relies on correlated color temperature (CCT)-based interpolation between pre-calibrated transforms optimized for Planckian illuminants such as CIE A and D65. However, modern lighting technologies such as LEDs can deviate substantially from the Planckian locus, exposing the limitations of relying on conventional one-dimensional CCT for illumination characterization. This paper demonstrates that transitioning from 1D CCT (on the Planckian locus) to a 2D chromaticity space (off the Planckian locus) improves colorimetric accuracy across various mapping approaches. In addition, we replace conventional CCT interpolation with a lightweight multi-layer perceptron (MLP) that leverages 2D chromaticity features for robust colorimetric mapping under non-Planckian illuminants. A lightbox-based calibration procedure incorporating representative LED sources is used to train our MLP. Validated across diverse LED lighting, our method reduces angular reproduction error by 22

The ability of generative AI (GenAI) methods to photorealistically alter camera images has raised awareness about the authenticity of images shared online. Interestingly, images captured directly by our cameras are considered authentic and faithful. However, with the increasing integration of deep-learning modules into cameras' capture-time hardware – namely, the image signal processor (ISP) – there is now a potential for hallucinated content in images directly output by our cameras. Hallucinated capture-time image content is typically benign, such as enhanced edges or texture, but in certain operations, such as AI-based digital zoom or low-light image enhancement, hallucinations can potentially alter the semantics and interpretation of the image content. As a result, users may not realize that the content in their camera images is not authentic. This paper addresses this issue by enabling users to recover the 'unhallucinated' version of the camera image to avoid misinterpretation of the image content. Our approach works by optimizing an image-specific multi-layer perceptron (MLP) decoder together with a modality-specific encoder so that, given the camera image, we can recover the image before hallucinated content was added. The encoder and MLP are self-contained and can be applied post-capture to the image without requiring access to the camera ISP. Moreover, the encoder and MLP decoder require only 180 KB of storage and can be readily saved as metadata within standard image formats such as JPEG and HEIC.

Raw images inherently suffer from noise due to the stochastic nature of light and sensor hardware imperfections. As real photon counts fall, the ratio of this noise to the signal degrades; consequently, for low-light conditions, robust denoising is especially vital for high-quality results. While recent data-driven methods achieve strong performance, they typically rely on large-scale noisy-clean image pairs that are costly and difficult to collect. Alternatively, parametric noise models can generate synthetic training data, but this necessitates precise camera calibration, which is often impractical for unknown devices. In this work, we propose a camera-agnostic, calibration-free paradigm for low-light raw denoising. We identify that color bias from black-level error is a primary source of performance degradation and causes severe color shifts. To mitigate this, we introduce a bias estimator network that predicts the black-level error as a global feature of the noisy input. We evaluate our approach across the ELD, SID, and LRID datasets, demonstrating superior performance among blind denoisers, particularly in terms of color correction. In many cases, we are competitive with-or can even surpass-methods with stronger supervision. Furthermore, we reveal that the widely used SIDD dataset contains significant color bias in its ground-truth images, which yields unrealistic color reproduction in trained models. We introduce a new ground-truth extraction framework to resolve this issue and provide a benchmark of existing methods on the corrected dataset.

RAW images are unprocessed camera sensor output with sensor-specific RGB values based on the sensor's color filter spectral sensitivities. RAW images also incur strong color casts due to the sensor's response to the spectral properties of scene illumination. The sensor- and illumination-specific nature of RAW images makes it challenging to capture RAW datasets for deep learning methods, as scenes need to be captured for each sensor and under a wide range of illumination. Methods for illumination augmentation for a given sensor and the ability to map RAW images between sensors are important for reducing the burden of data capture. To explore this problem, we introduce what we believe to be a first-of-its-kind dataset comprising carefully captured scenes under a wide range of illumination. Specifically, we use a customized lightbox with tunable illumination spectra to capture several scenes with different cameras. Our illumination and sensor mapping dataset has 390 illuminations, four cameras, and 18 scenes. Using this dataset, we introduce a lightweight neural network approach for illumination and sensor mapping that outperforms competing methods. We demonstrate the utility of our approach on the downstream task of training a neural ISP.

The image signal processor (ISP) pipeline in modern cameras consists of several modules that transform raw sensor data into visually pleasing images in a display color space. Among these, the auto white balance (AWB) module is essential for compensating for scene illumination. However, commercial AWB systems often strive to compute aesthetic white-balance preferences rather than accurate neutral color correction. While learning-based methods have improved AWB accuracy, they typically struggle to generalize across different camera sensors-an issue for smartphones with multiple cameras. Recent work has explored cross-camera AWB, but most methods remain focused on achieving neutral white balance. In contrast, this paper is the first to address aesthetic consistency by learning a post-illuminant-estimation mapping that transforms neutral illuminant corrections into aesthetically preferred corrections in a camera-agnostic space. Once trained, our mapping can be applied after any neutral AWB module to enable consistent and stylized color rendering across unseen cameras. Our proposed model is lightweight-containing only similar to 500 parameters-and runs in just 0.024 milliseconds on a typical flagship mobile CPU. Evaluated on a dataset of 771 smartphone images from three different cameras, our method achieves state-of-the-art performance while remaining fully compatible with existing cross-camera AWB techniques, introducing minimal computational and memory overhead.

Computational color constancy, or white balancing, is a key module in a camera's image signal processor (ISP) that corrects color casts from scene lighting. Because this operation occurs in the camera-specific raw color space, white balance algorithms must adapt to different cameras. This paper introduces a learning-based method for cross-camera color constancy that generalizes to new cameras without retraining. Our method leverages pre-calibrated color correction matrices (CCMs) available on ISPs that map the camera's raw color space to a standard space (e.g., CIE XYZ). Our method uses these CCMs to transform predefined illumination colors (i.e., along the Planckian locus) into the test camera's raw space. The mapped illuminants are encoded into a compact camera fingerprint embedding (CFE) that enables the network to adapt to unseen cameras. To prevent overfitting due to limited cameras and CCMs during training, we introduce a data augmentation technique that interpolates between cameras and their CCMs. Experimental results across multiple datasets and backbones show that our method achieves state-of-the-art cross-camera color constancy while remaining lightweight and relying only on data readily available in camera ISPs.

This paper introduces a method for using LED-based environmental lighting to produce visually imperceptible watermarks for consumer cameras. Our approach optimizes an LED light source's spectral profile to be minimally visible to the human eye while remaining highly detectable by typical consumer cameras. The method jointly considers the human visual system's sensitivity to visible spectra, modern consumer camera sensors' spectral sensitivity, and narrowband LEDs' ability to generate broadband spectra perceived as "white light" (specifically, D65 illumination). To ensure imperceptibility, we employ spectral modulation rather than intensity modulation. Unlike conventional visible light communication, our approach enables watermark extraction at standard low frame rates (30-60 fps). While the information transfer rate is modest-embedding 128 bits within a 10-second video clip-this capacity is sufficient for essential metadata supporting privacy protection and content verification.

White balance (WB) correction in scenes with multiple illuminants remains a persistent challenge in computer vision. Recent methods explored fusion-based approaches, where a neural network linearly blends multiple sRGB versions of an input image, each processed with predefined WB presets. However, we demonstrate that these methods are suboptimal for common multi-illuminant scenarios. Additionally, existing fusion-based methods rely on sRGB WB datasets lacking dedicated multi-illuminant images, limiting both training and evaluation. To address these challenges, we introduce two key contributions. First, we propose an efficient transformer-based model that effectively captures spatial dependencies across sRGB WB presets, substantially improving upon linear fusion techniques. Second, we introduce a large-scale multi-illuminant dataset comprising over 16,000 sRGB images rendered with five different WB settings, along with WB-corrected images. Our method achieves up to 100% improvement over existing techniques on our new multi-illuminant image fusion dataset.

This paper presents a modular neural image signal processing (ISP) framework that processes raw inputs and renders high-quality display-referred images. Unlike prior neural ISP designs, our method introduces a high degree of modularity, providing full control over multiple intermediate stages of the rendering process. This modular design not only achieves high rendering accuracy but also improves scalability, debuggability, generalization to unseen cameras, and flexibility to match different user-preference styles. To demonstrate the advantages of this design, we built a user-interactive photo-editing tool that leverages our neural ISP to support diverse editing operations and picture styles. The tool is carefully engineered to take advantage of the high-quality rendering of our neural ISP and to enable unlimited post-editable re-rendering. Our method is a fully learning-based framework with variants of different capacities, all of moderate size (ranging from 0.5 M to 3.9 M parameters for the entire pipeline), and consistently delivers competitive qualitative and quantitative results across multiple test sets. Watch the supplemental video at: https://youtu.be/ByhQjQSjxVM

This paper introduces a practical and accurate calibration method for camera spectral sensitivity using a diffraction grating. Accurate calibration of camera spectral sensitivity is crucial for various computer vision tasks, including color correction, illumination estimation, and material analysis. Unlike existing approaches that require specialized narrow-band filters or reference targets with known spectral reflectances, our method only requires an uncalibrated diffraction grating sheet, readily available off-the-shelf. By capturing images of the direct illumination and its diffracted pattern through the grating sheet, our method estimates both the camera spectral sensitivity and the diffraction grating parameters in a closed-form manner. Experiments on synthetic and real-world data demonstrate that our method outperforms conventional reference target-based methods, underscoring its effectiveness and practicality.

3D color lookup tables (LUTs) enable precise color manipulation by mapping input RGB values to specific output RGB values. 3D LUTs are instrumental in various applications, including video editing, in-camera processing, photographic filters, computer graphics, and color processing for displays. While an individual LUT does not incur a high memory overhead, software and devices may need to store dozens to hundreds of LUTs that can take over 100 MB. This work aims to develop a neural network architecture that can encode hundreds of LUTs in a single compact representation. To this end, we propose a model with a memory footprint of less than 0.25 MB that can reconstruct 512 LUTs with only minor color distortion (ΔE ≤ 2.0 on average) over the entire color gamut. We also show that our network can weight colors to provide further quality gains on natural image colors (ΔE ≤ 1.0 on average). Finally, we show that minor modifications to the network architecture enable a bijective encoding that produces LUTs that are invertible, allowing for reverse color processing.

Imaging in low-light environments is challenging due to reduced scene radiance, which leads to elevated sensor noise and reduced color saturation. Most learning-based low-light enhancement methods rely on paired training data captured under a single low-light condition and a well-lit reference. The lack of radiance diversity limits our understanding of how enhancement techniques perform across varying illumination intensities. We introduce the Multi-Illumination Low-Light (MILL) dataset, containing images captured at diverse light intensities under controlled conditions with fixed camera settings and precise illuminance measurements. MILL enables comprehensive evaluation of enhancement algorithms across variable lighting conditions. We benchmark several state-of-the-art methods and reveal significant performance variations across intensity levels. Leveraging the unique multi-illumination structure of our dataset, we propose improvements that enhance robustness across diverse illumination scenarios. Our modifications achieve up to 10 dB PSNR improvement for DSLR and 2 dB for the smartphone on Full HD images.

We seek to answer the question: what can a motion-blurred image reveal about a scene's past, present, and future? Although motion blur obscures image details and degrades visual quality, it also encodes information about scene and camera motion during an exposure. Previous techniques leverage this information to estimate a sharp image from an input blurry one, or to predict a sequence of video frames showing what might have occurred at the moment of image capture. However, they rely on handcrafted priors or network architectures to resolve ambiguities in this inverse problem, and do not incorporate image and video priors on large-scale datasets. As such, existing methods struggle to reproduce complex scene dynamics and do not attempt to recover what occurred before or after an image was taken. Here, we introduce a new technique that repurposes a pre-trained video diffusion model trained on internet-scale datasets to recover videos revealing complex scene dynamics during the moment of capture and what might have occurred immediately into the past or future. Our approach is robust and versatile; it outperforms previous methods for this task, generalizes to challenging in-the-wild images, and supports downstream tasks such as recovering camera trajectories, object motion, and dynamic 3D scene structure. Code and data are available at blur2vid.github.io