自20世纪30年代起,师陀先后出版了《谷》《里门拾记》等小说集,为乡土文学开拓了一个新向度.在师陀小说中,田园风光、家园场景、世态风情相互交织,不同形式的"风景"不仅流露着作者无限深厚的怀乡情结,也承载着他在启蒙与革命转型期的多重话语叙述.基于对故土"浮世绘"生活样式的书写追求,师陀避免了左翼的叙事模式,也远离了京派小说的田园想象,他努力追求"社会"和"个人"的真实再现,在这一过程中,师陀表现出了既反思批判又眷恋感伤的复杂心理特征.
受特定历史文化的影响,河南作家在文学选择上,对国家政治政策异常敏感,作品往往紧跟时代,对社会现实做"近距离书写",政治书写成为河南当代小说创作的一个重要特征.在20世纪50年代以来的河南历史小说、乡土小说中,政治文化成为一个独特的叙述角度.作家的政治意识在很大程度上决定着他们的题材选择、叙事角度和价值取向,河南作家通过政治书写表达自己的社会责任感和使命感,以文学的方式参与了国家主流意识形态的建构,并由此参与到当代中国的文化建设中.
新世纪以来,一批校园"青春电影"纷纷上映,引发了人们对青春岁月的集体回忆.本文以近几年上映的几部青春题材的电影作为"叙事"文本,用结构主义方法进行分析.通过细节性解读,发现了"青春电影"中爱情叙事的共同结构模式,即"初始场景"阶段曲折浪漫真诚感人,"情景急转"阶段各种冲突直至分手,"结局"和"意外发现"阶段充满了反思和感慨:青春岁月里的爱情才是真爱,青春易逝,青春无悔.
本文以中学语文教材中的“中国现代文学”选篇为例,提出了语文审美教育在教学过程中具体实施的三个建议:对作者及写作背景的“情感分析”、文学篇章的“文本细读”和“抓关键词”.语文审美教育的理论探究固然重要,但在实际教学情景中,在“文本细读”等方面上下足够的功夫,却是达到审美教育的一个有效途径.
当代"河南文学"是由三部分作家的创作构成:河南"本土"作家、河南籍"外出作家"和"外省来豫"作家。当代河南作家的研究成果丰硕,但是缺乏持续的跟踪研究,缺乏"真刀实枪"的批评。当下,开展当代"河南文学"研究是提升河南文化形象的重要创举,研究者可从河南作家作品、文学史、文学刊物等方面拓展思路,积极为河南文学研究和河南文化建设做出贡献。
20世纪90年代,个人化的视角进入了文学的"历史叙述".刘震云在《头人》《故乡天下黄花》《故乡相处流传》等系列小说的"历史叙述"中,探究了"权力的来源",概括出了"权力与游戏相通""杀猪的懂政治"等有关权力特质的一些命题."历史叙述"为刘震云"现实主义"小说中的人性探索提供了充分的历史依据和展现空间,具有重要的文学史意义.
师陀的长篇小说《历史无情》是由他的短篇小说《三个小人物》改编而成的.由之前的写“人物”写“风景”,到建国后的写“任务”写“运动”,《历史无情》在师陀的创作史上具有重要的转折意义,彰显出一位“现代作家”进入“当代书写”的努力过程.小说中出色的小人物描写,日常化的叙事方式,浓厚的生活化气息,实在是京派叙事话语在20世纪50年代闪现的最后一抹霞光.
“新时期”以来的河南小说在“乡土”叙事时出现了新质素:小说中不仅出现了能代表中原老一代农民形象的“老庄稼筋”形象,还出现了一系列具有时代气息的“乡村能人”,这些人身上的“韧性”品质是中原农民性格组成的核心成分,又是他们成就事业、完善人生最突出的品质特征.
In human existence,the immortal has many of possibility,so a lot of people began to question and discuss it.In Milan Kaunda's Novels Immortal,he focuses on asking this question.The novel take the different individuals' attitude for immortal as a theme,with the intertwining of modern "immortal" and the historical "immortal",let the reader explore the true meaning of the immortal.
In the novel of Thunderstorm, Zhou Puyuan and Fan Yi are the couple coming from families of equal status. But why do they always quarrel with each other? Maybe, we can find some direct causes by analyzing the personality differences and psychological needs of the two people. Zhou Puyuan who is occupied with feudal autocratic mind demands his servants as well as his wife to obey whatever he said. Whereas, Fanyi is a "new woman" who has self - consciousness. Her bold rebellion and pursuit of woman' s fight reflect the historical characteristics of The May 4th Movement. Personality differences and misplacement are probably the main reasons for their conflicts.
The love story in Chi Li's novel "LaiLaiWangWang",as a whole,seems "unauthentic" to readers owing to its lack of necessary details and is inferior to that in LU Yao's "RenSheng",which is the result of authors lacking life experience and psychological experience.
In the materialistic tide, the film the Love of the Hawthorn Tree is considered to be the history of the most clean love, actually it is a feelings of nostalgia in those past pure days. Abandoning materialism lust itself and cleaning than love itself, is one of the imagination of love, is longing for pure love. JING Qiu is a kind of poetic existence, as a pure ideal existence, contrast with real people＂ love＂ the unrestrained, actually she does not understand loving.
《让子弹飞》不是简单的针锋相对的斗争戏,而是姜文雕塑自我英雄形象的表演戏,这个过程是在情节的推进中,靠着戏剧化的手法一步步完成的。在张麻子和黄四郎的斗争过程中,影片没有呈现斗争双方应展现的那种痛苦的挣扎与焦灼,而是戏剧化地神化了张麻子的英明威力,弱化了黄四郎的抵抗力量,使得一场异常艰苦的斗争变成了一场表演成分非常高的戏剧。戏剧化手法用得频繁了,人物形象就容易"失真",也使得整部影片喜剧化,"失去了含泪的笑"的深刻内涵。
人们大都认为阿Q的性格核心是"精神胜利法",理由是阿Q的许多表现充满了自欺欺人、自轻自贱、自我麻醉的特点。本文认为"精神胜利法"并不能概括为阿Q的主要性格特征,那仅仅只是在他失败时候的特定精神状态,在日常状态下,他的主要的心理特征就是投机,他会抓住一切机会攀附权势,目的在于取得个人的利益。另外,小说中的赵太爷、赵秀才、假洋鬼子等更是投机的高手,他们共同上演了一出投机主义者的闹剧。对阿Q来说,他的人生只不过是一曲投机不成的悲歌。
A writer from a rural area, Liu Zhenyun has been trying to reflect and criticize local culture. His novels focus on the relationship,right and history values in local culture. His main attention is paid on part of history value in farmer culture fastening and poisoning people’s spirit, which is the traditional feudal official-centered culture as well as the spirit of reality utilitarian
Bailuyuan is the first classical book which collected large-scale Confucian culture. This paper makes a comparatively detailed explanation to Confucian culture reflected in that book and gives a detailed analysis to the reason of its loss after pointing out its gradual loss because of being shocked under different conditions.
As a writer who came from the village and called himself a farmer,JIA Ping-ao thought that there was rural scenery in the city.Most of the citymen he described were livelihard seekers from the villages.Through these characters,the writer examined and criticized the urban civilization.He pondered on the urban and rural civilization which was in the transformable period of China.
