Fieldwork at Amarna in 2022 included excavation at the Great Aten Temple and the North Desert Cemetery, and the continuation of several post-excavation projects. Those post-excavation projects reported on here are the study of skeletal materials, pottery, plant and organic remains, and inscriptions from the North Desert Cemetery; pottery, plant and other organic remains from the North Cliffs Cemetery; and digital modelling of the North Desert Cemetery. A programme of community outreach in collaboration with the Amarna Visitor Centre also recommenced.

Kohl, a dark eye cosmetic, is a well-known part of Ancient Egyptian culture. Modern chemical analyses of kohls have largely found lead-based inorganic constituents, whereas earlier studies argued for a much broader range of constituents. Furthermore, organic materials in kohls remain severely understudied. This raises questions regarding the true diversity of materials and recipes used to produce kohls. We analysed the contents of 11 kohl containers from the Petrie Museum collection in London. The objects selected cover a broad range of times and locations in Egypt. Our multi-analytical approach allowed us to characterise both inorganic and organic components. Our data show that inorganic ingredients in kohl recipes are not only lead-based but also manganese- and silicon-based. Our analyses also revealed that organic ingredients derived from both plant and animal sources were commonly used in kohl recipes and sometimes even represent the main constituent. All these findings point towards more varied recipes than initially thought and significantly shift our understanding of Ancient Egyptian kohls.

The Petrie Museum of Egyptian and Sudanese Archaeology, University College London (UCL) has recently received a generous donation of a framed pencil study of a young woman's head, identified as Hilda Petrie (nee Urlin). Over the past 12 months, the biography of this intriguing sketch has been reconciled from archival and art historical sources in preparation for its display as the centrepiece of the Petrie Museum's newly refurbished entrance gallery. Three key characters are associated with this drawing: the Pre-Raphaelite artist Henry Holiday, Hilda Urlin, and her husband William Matthew Flinders Petrie, whose life stories are closely linked. Here, the background to the artist, the sitter, and her wellknown husband will be presented in the contemporary context of late 19th and early 20th century archaeology in Egypt.

Of the 80,600 objects in UCL’s Petrie Museum of Egyptian Archaeology, around 4000 are from Sudan.1 Flinders Petrie himself did not travel south of Aswan, and these items were acquired through different channels after his death. While many of these are on display in the Museum galleries—albeit tucked amongst the greater proportion of archaeological material from Egypt—much of the Sudanese collection remains in storage due to historic limitations of space. This paper presents an overview of the history of this collection, how it has inspired creative engagement projects targeting diverse museum audiences, and thoughts on future work.

Fieldwork at Amarna from autumn 2018 through autumn 2019 included excavation at a previously uninvestigated cemetery, the North Desert Cemetery, located approximately 600 metres south-west of the North Tombs. Several post excavation projects also continued. Those reported on here comprise the study of skeletal materials from the North Cliffs Cemetery, hair and textiles from the North Cliffs and North Desert Cemeteries, and pottery from the North Cliffs Cemetery. A site management and outreach project also continued.

Fieldwork at Amarna in autumn 2017 and spring 2018 included excavation at a previously uninvestigated pit-grave cemetery, the North Cliffs Cemetery, on the low desert near the North Tombs. Initial results suggest the burials here are closer in character to those at the South Tombs Cemetery (excavated 2006–13) than at the North Tombs Cemetery (excavated 2015, 2017). Several post-excavation projects continued on materials from the North and South Tombs Cemeteries, including skeletal remains, coffins, hair, textiles, head cones, pottery and botanical materials, in addition to the ongoing recording of Kom el-Nana relief fragments and pottery from the Stone Village. A new site management programme, in partnership with the Ministry of Antiquities, was also launched.

Amara West, built around 1300 BC, was an administrative centre for the pharaonic colony of Upper Nubia. In addition to producing hand- and wheel-made pottery, respectively, in Nubian and Egyptian style, Amara West also imported a wide range of ceramics from Egypt and the eastern Mediterranean. A scientific study of 18 Mycenaean-style ceramics was undertaken to study provenance and aspects of production technology. Neutron activation analysis (NAA) results show that the pots were imported from several workshops in Greece and Cyprus. Thin-section petrography and scanning electron microscopy, used with energy-dispersive spectroscopy (SEM-EDX), show that different recipes were used to make the fabrics and paints of Mycenaean ceramics, reflecting both technological choices and the range of raw materials used in the different workshops. The petrographic and SEM-EDX results support the NAA provenance attributions.