新中国成立70周年以来的昆曲电影可以分为四个时期:第一期:1949—1966年,为昆曲电影的"初步尝试期";第二期:1967—1978年,昆曲电影与昆曲同命共运,处于全面禁锢时期;第三期:1979—2000年,系"复苏发展期",这一时期传统剧目和新编剧目并存共生;第四期:2001—2019年,属"创新突破期".本文在梳理昆曲电影发展脉络的基础上,总结各时期阶段性的特征.

机关布景是中国传统戏曲舞台布景形式之一.它利用机关快速变换场景,表现惊险刺激的情节.这种形式兴起于宋元,发展于明清,晚清民国随着新舞台的出现至于极盛.新中国成立后,机关布景不适应当代观众的审美需要,逐渐退出戏曲舞台,也暴露出其必须改正的缺点:一是物质财富的极大浪费,二是内容的不正确性,这也是今天及以后的戏曲创作和戏曲传承者应该面对的重要问题.

吴震生为清康乾之际皖籍知名曲家,其剧作《玉勾十三种》多取历史故事为题材,主"悦夫似史,憎夫真史"之态度进行创作,在题材选择、角色搭配、语言设置等方面颇具特色.他以"专为场上之悦"为目标,在男旦装扮、服饰傅粉及武戏设置等表现形式上新人耳目.吴震生继承了汤显祖、李渔等人的戏曲创作思想,又有自己的发展.

PLO2钻孔位于银川盆地北部平罗县东通平村,处于干旱一半干旱区过渡地带,地层沉积厚度大且基本连续,对开展气候研究有重要意义.将PLO2钻孔140 m深的岩芯作为研究对象,测试了室温下亮度、红度和黄度3个色度参数,并采用逐步加热处理法,分析其在不同温度下的变化特征,了解所合成分,以期为参数指示环境意义提供依据,分析得出:岩芯色度参数之间有明显的相关性,整体上亮度、红度、黄度3个指标各自在不同温度下的变化情况较为一致,但不同深度的变幅存在较大差异,揭示了不同岩芯段所含物质之间的差异.此外,各个指标在不同升温区间,其变幅差异也较为明显,而不同类型铁的矿物质转化温度也存在差异,由此,判断岩芯中含有赤铁矿等致色矿物质.

Palaeoflood deposits record extreme climatic and environmental events. While historic data show that floods occurred frequently in the Yongding River in China and have caused many natural disasters. The sedimentologic records of palaeoflood in the Yongding River have not been well studied. This study investigates the palaeoflood deposits at the Tanmugou site in the middle reach of the Yongding River. Six episodes of palaeoflood were identified in the sediment profile. Optically stimulated luminescence (OSL) dating method was applied to establish the chronology of the palaeoflood deposits. Both the improved single-aliquot regenerative-dose (SAR) protocol and standard growth curve (SGC) method were employed for equivalent dose (De) determinations. The minimum age model (MAM), central age model (CAM) and arithmetic mean were applied to calculate the De values. The OSL dating results show that these palaeoflood events occurred in the Holocene and concentrated during three stages, including 8.5–7.3 ka, 2.8–2.4 ka and 1–0.5 ka. The timings of these palaeoflood events in the Yongding River coincide with the timings of palaeoflood events in other river systems in China. Compared with the continuously high-resolution climate record in China, these palaeoflood events occurred during climate transition periods.

循环经济是当代农业发展的必由之路。结合农业循环经济理论及邢台市概况，全面分析邢台市发展农业循环经济的必要性，并根据邢台市农业生产特点，借鉴国内外成功经验，因地制宜构建具有邢台市特色的农业循环经济模式，促进邢台市农业可持续发展。

The basin sediment provides an important means of studying regional tectonic actives; however, regional climate factors, overlaying tectonic actives, affect the sedimentary process in the basin. Because of the lack of long-term scales data, the research on climate change in the arid and semi-arid region is limited. The PL02 core, located in the center area of deposition in the Yinchuan Basin; has a thick deposit with a higher resolution and sedimentation rate, making itself practical for the reconstruction of the paleoclimate and the coupling relationship between regional tectonic activities and climate change.The study of the 720-m borehole near Pingluo County is presented in this paper. The chronostratigraphic sequence of the core is established by palaeomagnetic dating. The magnetostratigraphic correlation to the geomagnetic polarity timescale shows that the PL02 core recorded the Brunhes, Matuyama, Gauss, Jaramillo, Olduvai, Kaena and Mammoth polarity chron or subchron. The sedimentation rate and the magnetostratigraphic of the core indicate that the onset of the PL02 core in this section occurred at similar to 3.4 Ma BP. The analysis of the core established a detailed chronological framework for regional geological research. At the stage of 3.22-3.04 Ma, 2.581-1.95 Ma and after 0.012 Ma, the sedimentation rate increases gradually, which archive three regional tectonic subsidence events.The frequency-dependent susceptibility of the sediment is used to reconstruct the paleoclimatic change. The frequency-dependent susceptibility is more effective than the magnetic susceptibility on reflecting regional climate change in the basin. From 3.4 to 0.467 Ma, the gradual decrease of frequency-dependent susceptibility reflects the regional climate change from warm and humid to cold and dry. Since 0.467 Ma, the gradual increase of the frequency-dependent susceptibility corresponds to the climate becoming warm and humid again. (C) 2015 Elsevier Ltd. All rights reserved.

Extreme seasonal summer rain storms are common in the mountains to the north east of Beijing and these often result in mass movement of sediment slurries transported for up to a few km. These debris flows can be deadly and are very destructive to infrastructure and agriculture. This project tests the application of luminescence dating to determining the return frequency of such extreme events. The high sediment concentration and the very short flow duration gives very little opportunity for daylight resetting during transport and only a small fraction of the total mass is likely to be reset before transport begins. Here we examine the quartz single-grain dose distribution from a recent known-age (<25 years) debris flow from a small (similar to 3.9 km(2)) catchment similar to 140 km north of Beijing and compare it with those from three samples from a sedimentary sequence containing the evidence of multiple flow events.Multi-grain quartz OSL signals are dominated by the fast component and <1% of the 150-200 mu m grains give a detectable test dose (4.5 Gy) response. Single-grain beta dose recovery gave a ratio of 0.97 +/- 0.06 (n = 30) with an over-dispersion of 23 +/- 8% (CAM). Both the recent known age and the palaeo-distributions are highly dispersed with over-dispersions greater than 50%. The average weighted doses range between similar to 3 mGy and similar to 6.5 Gy, indicating that all deposits are no more than a few thousand years. Minimum age modelling give an age estimate for the youngest sample consistent with the known age, and minimum ages for the older palaeo-deposits suggest that there have been at least 3 major debris flows in this small catchment in the last 1000 years. (C) 2015 Published by Elsevier B.V.

元末明初文人高明的《琵琶记》自诞生之日起，就备受青睐，从文本到舞台倾注了历代文人及艺人的心血。特别是折子戏形成以来，对《琵琶记》的舞台演出选出最多，演出最繁盛，因此《琵琶记》被称为“南戏之祖”。然而在当今的舞台上，并非是对乾嘉以来昆曲《琵琶记》的依葫芦画瓢似的照搬照抄，而是后代文人、艺人自觉而有原则的创作。本文拟通过对《书馆》一折在《六十种曲》《审音鉴古录》《缀白裘》《昆弋身段谱》与当代舞台上上海昆剧团和永嘉昆剧团的演出实际进行比较，阐述当代昆曲表演对乾嘉传统的继承与创新。

土地资源是人类社会赖以生存的基本资源，根据平山县土地资源利用现状、利用特点，找出平山县土地资源开发利用中存在的问题，并针对问题提出促进平山县土地资源可持续利用对策。

The Chinese thinking is a kind of imagery thinking, often abstracting images from viewing, and using imagery to express meaning. Thinking in this way, the Chinese often depict aesthetic images to express feelings and to create some kind of artistic image."West tower"is an image thus formed. Through analysis of the west tower in Yuan Yuling's Story of the West Tower, we can ifnd the important role of this image in creating the dramatic situation.

准确获得水成沉积物的年龄是第四纪年代学重要的前沿问题之一.随着释光技术的发展,水成沉积物释光测年在如下方面有新的进展:具体释光技术的选择、释光测量方法、测年矿物的种类、矿物的粒级和获得等效剂量的统计方法等.线性调整光释光技术能够提取光释光信号中衰退快的组分;单片再生法应用广泛;单颗粒技术在挑选沉积时晒退充分的颗粒方面具有一定的优势;水成沉积物中的石英比长石更易晒退;较多的实验表明水成沉积物中的粗颗粒比细颗粒更易晒退;获得等效剂量的统计模型很多,但尚无一种统计模型适用于所有样品.在此基础上探讨了水成沉积物释光测年在气候、构造运动、冰川进退历史和人类活动主导的土壤侵蚀量变化研究中的意义及今后的研究方向,为全面了解该领域的最新研究进展提供参考.

Yongding river is the mother river of Beijing,at the same time Yongding river has a lot of troubles such as floods.Floods had ever invaded into Beijing city for many times in historical period.The research object is Yongding river flood disaster in the past two thousand years.The purpose is to find out the temporal and spatial distribution characteristics of floods in Yongding river and to explore their own rules,causes and impacts by collecting and analyzing historical literature materials.The study shows that regional terrain,geology,climate,meteorology,hydrology and human activities have impact on the temporal and spatial distribution of floods.Flood frequency has enhanced stage by stage in the past two thousand years and it is higher at climate transition stage.All of these can provide basic information for flood control of Yongding river.

It is inevitable for the Chinese film history to choose " Dingjun Mountain" as its first film. This thesis connects Chinese social and culture background,and then analyses this inevitability from such aspects as distinguishing the feature of the Chinese opera,the popularity of the Beijing opera in Qing Dynasty,the status of Mr. Tan Xinpei,the popularity of the opera " Romance of the Three Kingdoms" in Chinese history,and the characteristic of the early film.

Taking one adapted excerpt of Kun opera Massacre of hundreds of loyal courtiers as an example,the present article compares figure aesthetics described in Texts written for figure aesthetics,Learning from Kun opera performance and Zheng Chuanjian and his performing art with that in contemporary stage performing.It suggests that Kun opera has always been changing as time goes by.Therefore,to preserve the pure taste of Kun opera is to some extent relative,however,for Kun opera development,inheriting and innovating is the only way could be taken.

<正>水是生命之源,是任何社会发展的基础。当前世界上大多数国家面临着水资源短缺的困境,水资源治理已经成为一个世界性难题。在我国,由于生产力的长期落后以及过度的人口增长,尤其是在相当一段时间内地方政府片面奉行经济总量增长优先的经济发展战略,自20

中国电影自诞生之日起就与中国戏剧有着千丝万缕的联系,其直接的结果是戏曲电影的产生,随着电影艺术与技术的不断提高,戏曲电影的形态也从戏曲舞台的胶片记录逐渐转移到了电影本性上的戏曲故事。电影《赵氏孤儿》是以经典戏曲故事为脚本而创作的电影故事片,充分体现了戏剧与电影之间的关系。本文以元杂剧本《赵氏孤儿》与电影版《赵氏孤儿》为蓝本,从戏剧冲突、戏剧动作、戏剧情境三方面分析比较戏剧与电影之间的重合、背离、融通的发展趋势,同时也表现出戏曲电影在对中国传统经典戏剧进行再创作的过程中表现出的徘徊与游离不定的困惑。

魏晋异类姻缘故事模式的兴起影响了白蛇故事的结构血脉,故事的源头则应从三个方向追溯,即人蛇婚恋、僧蛇斗法和塔镇蛇妖。它们本是不同的传闻、记载或故事,渐渐汇合成一个传说。由这三部分内容上溯其源,可以发现白蛇故事与佛教的深厚渊源,可知从起源之初,其主流便渗透着佛教思想的影响。

During the seventeen years(from 1949 to 1966),Chinese movies presented distinct features due to influence by policy,socio-economy and culture,and drama movies underwent great developments and ushered in a golden age in its history. The construction of female characters is the result of narrative subject,discourse environment and social expressive mechanism of drama movies in the seventeen years.These female characters inevitably became part of the mentality production during this period. From the perspective of female characters,this paper attempts to study drama movies and make clear the classification and range of female characters;to explore the code to the link of the 17 years’ drama movies,especially through the analysis of female characters’ characteristics in drama movies of this period and female culture.

<正>2010年9月18日至20日,由上海大学影视艺术技术学院、东南大学艺术学院、《艺术百家》杂志社联合主办的第六届全国艺术学学术研讨会暨第六届中国艺术学学会年会在上海大学顺利召开。会议共收到近百篇论文,来自全国各地的百