Despite the tremendous success of diffusion generative models in text-to-image generation, replicating this success in the domain of image compression has proven difficult. In this paper, we demonstrate that diffusion can significantly improve perceptual quality at a given bit-rate, outperforming state-of-the-art approaches PO-ELIC and HiFiC as measured by FID score. This is achieved using a simple but theoretically motivated two-stage approach combining an autoencoder targeting MSE followed by a further score-based decoder. However, as we will show, implementation details matter and the optimal design decisions can differ greatly from typical text-to-image models.

By optimizing the rate-distortion-realism trade-off, generative compression approaches produce detailed, realistic images, even at low bit rates, instead of the blurry reconstructions produced by rate-distortion optimized models. However, previous methods do not explicitly control how much detail is synthesized, which results in a common criticism of these methods: users might be worried that a misleading reconstruction far from the input image is generated. In this work, we alleviate these concerns by training a decoder that can bridge the two regimes and navigate the distortion-realism trade-off. From a single compressed representation, the receiver can decide to either reconstruct a low mean squared error reconstruction that is close to the input, a realistic reconstruction with high perceptual quality, or anything in between. With our method, we set a new state-of-the-art in distortion-realism, pushing the frontier of achievable distortion-realism pairs, i.e., our method achieves better distortions at high realism and better realism at low distortion than ever before.

We present the first neural video compression method based on generative adversarial networks (GANs). Our approach significantly outperforms previous neural and non-neural video compression methods in a user study, setting a new state-of-the-art in visual quality for neural methods. We show that the GAN loss is crucial to obtain this high visual quality. Two components make the GAN loss effective: we i) synthesize detail by conditioning the generator on a latent extracted from the warped previous reconstruction to then ii) propagate this detail with high-quality flow. We find that user studies are required to compare methods, i.e., none of our quantitative metrics were able to predict all studies. We present the network design choices in detail, and ablate them with user studies.

We show how transformers can be used to vastly simplify neural video compression. Previous methods have been relying on an increasing number of architectural biases and priors, including motion prediction and warping operations, resulting in complex models. Instead, we independently map input frames to representations and use a transformer to model their dependencies, letting it predict the distribution of future representations given the past. The resulting video compression transformer outperforms previous methods on standard video compression data sets. Experiments on synthetic data show that our model learns to handle complex motion patterns such as panning, blurring and fading purely from data. Our approach is easy to implement, and we release code to facilitate future research.

We consider the attributes of a point cloud as samples of a vector-valued volumetric function at discrete positions. To compress the attributes given the positions, we compress the parameters of the volumetric function. We model the volumetric function by tiling space into blocks, and representing the function over each block by shifts of a coordinate-based, or implicit, neural network. Inputs to the network include both spatial coordinates and a latent vector per block. We represent the latent vectors using coefficients of the region-adaptive hierarchical transform (RAHT) used in the MPEG geometry-based point cloud codec G-PCC. The coefficients, which are highly compressible, are rate-distortion optimized by back-propagation through a rate-distortion Lagrangian loss in an auto-decoder configuration. The result outperforms the transform in the current standard, RAHT, by 2–4 dB and a recent non-volumetric method, Deep-PCAC, by 2–5 dB at the same bit rate. This is the first work to compress volumetric functions represented by local coordinate-based neural networks. As such, we expect it to be applicable beyond point clouds, for example to compression of high-resolution neural radiance fields.

We review a class of methods that can be collected under the name nonlinear transform coding (NTC), which over the past few years have become competitive with the best linear transform codecs for images, and have superseded them in terms of rate-distortion performance under established perceptual quality metrics such as MS-SSIM. We assess the empirical rate-distortion performance of NTC with the help of simple example sources, for which the optimal performance of a vector quantizer is easier to estimate than with natural data sources. To this end, we introduce a novel variant of entropy-constrained vector quantization. We provide an analysis of various forms of stochastic optimization techniques for NTC models; review architectures of transforms based on artificial neural networks, as well as learned entropy models; and provide a direct comparison of a number of methods to parameterize the rate-distortion trade-off of nonlinear transforms, introducing a simplified one.

We present a neural video compression method based on generative adversarial networks (GANs) that outperforms previous neural video compression methods and is comparable to HEVC in a user study. We propose a technique to mitigate temporal error accumulation caused by recursive frame compression that uses randomized shifting and un-shifting, motivated by a spectral analysis. We present in detail the network design choices, their relative importance, and elaborate on the challenges of evaluating video compression methods in user studies.

We extensively study how to combine Generative Adversarial Networks and learned compression to obtain a state-of-the-art generative lossy compression system. In particular, we investigate normalization layers, generator and discriminator architectures, training strategies, as well as perceptual losses. In contrast to previous work, i) we obtain visually pleasing reconstructions that are perceptually similar to the input, ii) we operate in a broad range of bitrates, and iii) our approach can be applied to high-resolution images. We bridge the gap between rate-distortion-perception theory and practice by evaluating our approach both quantitatively with various perceptual metrics, and with a user study. The study shows that our method is preferred to previous approaches even if they use more than 2x the bitrate.

Pre-trained convolutional neural networks (CNNs) are powerful off-the-shelf feature generators and have been shown to perform very well on a variety of tasks. Unfortunately, the generated features are high dimensional and expensive to store: potentially hundreds of thousands of floats per example when processing videos. Traditional entropy based lossless compression methods are of little help as they do not yield desired level of compression, while general purpose lossy compression methods based on energy compaction (e.g. PCA followed by quantization and entropy coding) are sub-optimal, as they are not tuned to task specific objective. We propose a learned method that jointly optimizes for compressibility along with the task objective for learning the features. The plug-in nature of our method makes it straight-forward to integrate with any target objective and trade-off against compressibility. We present results on multiple benchmarks and demonstrate that our method produces features that are an order of magnitude more compressible, while having a regularization effect that leads to a consistent improvement in accuracy.

Despite considerable progress on end-to-end optimized deep networks for image compression, video coding remains a challenging task. Recently proposed methods for learned video compression use optical flow and bilinear warping for motion compensation and show competitive rate-distortion performance relative to hand-engineered codecs like H.264 and HEVC. However, these learning-based methods rely on complex architectures and training schemes including the use of pre-trained optical flow networks, sequential training of sub-networks, adaptive rate control, and buffering intermediate reconstructions to disk during training. In this paper, we show that a generalized warping operator that better handles common failure cases, e.g. disocclusions and fast motion, can provide competitive compression results with a greatly simplified model and training procedure. Specifically, we propose scale-space flow, an intuitive generalization of optical flow that adds a scale parameter to allow the network to better model uncertainty. Our experiments show that a low-latency video compression model (no B-frames) using scale-space flow for motion compensation can outperform analogous state-of-the art learned video compression models while being trained using a much simpler procedure and without any pre-trained optical flow networks.

We hosted the 2nd YouTube-8M Large-Scale Video Understanding Kaggle Challenge and Workshop at ECCV'18, with the task of classifying videos from frame-level and video-level audio-visual features. In this year's challenge, we restricted the final model size to 1GB or less, encouraging participants to explore representation learning or better architecture, instead of heavy ensembles of multiple models. In this paper, we briefly introduce the YouTube-8M dataset and challenge task, followed by participants statistics and result analysis. We summarize proposed ideas by participants, including architectures, temporal aggregation methods, ensembling and distillation, data augmentation, and more.

This paper introduces a video dataset of spatio-temporally localized Atomic Visual Actions (AVA). The AVA dataset densely annotates 80 atomic visual actions in 437 15-minute video clips, where actions are localized in space and time, resulting in 1.59M action labels with multiple labels per person occurring frequently. The key characteristics of our dataset are: (1) the definition of atomic visual actions, rather than composite actions; (2) precise spatio-temporal annotations with possibly multiple annotations for each person; (3) exhaustive annotation of these atomic actions over 15-minute video clips; (4) people temporally linked across consecutive segments; and (5) using movies to gather a varied set of action representations. This departs from existing datasets for spatio-temporal action recognition, which typically provide sparse annotations for composite actions in short video clips. AVA, with its realistic scene and action complexity, exposes the intrinsic difficulty of action recognition. To benchmark this, we present a novel approach for action localization that builds upon the current state-of-the-art methods, and demonstrates better performance on JHMDB and UCF101-24 categories. While setting a new state of the art on existing datasets, the overall results on AVA are low at 15.8% mAP, underscoring the need for developing new approaches for video understanding.

We propose a method for lossy image compression based on recurrent, convolutional neural networks that outperforms BPG (4:2:0), WebP, JPEG2000, and JPEG as measured by MS-SSIM. We introduce three improvements over previous research that lead to this state-of-the-art result using a single model. First, we modify the recurrent architecture to improve spatial diffusion, which allows the network to more effectively capture and propagate image information through the network's hidden state. Second, in addition to lossless entropy coding, we use a spatially adaptive bit allocation algorithm to more efficiently use the limited number of bits to encode visually complex image regions. Finally, we show that training with a pixel-wise loss weighted by SSIM increases reconstruction quality according to multiple metrics. We evaluate our method on the Kodak and Tecnick image sets and compare against standard codecs as well as recently published methods based on deep neural networks.

The leading approach for image compression with artificial neural networks (ANNs) is to learn a nonlinear transform and a fixed entropy model that are optimized for rate-distortion performance. We show that this approach can be significantly improved by incorporating spatially local, image-dependent entropy models. The key insight is that existing ANN-based methods learn an entropy model that is shared between the encoder and decoder, but they do not transmit any side information that would allow the model to adapt to the structure of a specific image. We present a method for augmenting ANN-based image coders with image-dependent side information that leads to a 17.8% rate reduction over a state-of-the-art ANN-based baseline model on a standard evaluation set, and 70-98% reductions on images with low visual complexity that are poorly captured by a fixed, global entropy model.

Recent models for learned image compression are based on autoencoders that learn approximately invertible mappings from pixels to a quantized latent representation. The transforms are combined with an entropy model, which is a prior on the latent representation that can be used with standard arithmetic coding algorithms to generate a compressed bitstream. Recently, hierarchical entropy models were introduced as a way to exploit more structure in the latents than previous fully factorized priors, improving compression performance while maintaining end-to-end optimization. Inspired by the success of autoregressive priors in probabilistic generative models, we examine autoregressive, hierarchical, and combined priors as alternatives, weighing their costs and benefits in the context of image compression. While it is well known that autoregressive models can incur a significant computational penalty, we find …

The leading approach for image compression with artificial neural networks (ANNs) is to learn a nonlinear transform and a fixed entropy model that is directly optimized for rate-distortion performance. We show that this approach can be significantly improved by incorporating spatially local, image-dependent entropy models. The key insight is that existing ANN-based methods learn an entropy model that is shared between the encoder and decoder, but they do not transmit any side information that would allow the model to adapt to the structure of a specific image. We present a method for augmenting ANN-based image coders with image-dependent side information that leads to a 17.8% rate reduction over a state-of-the-art ANN-based baseline model on a standard evaluation set, and 70-98% reductions on images with low visual complexity that are poorly captured by a fixed, global entropy model.

Recent models for learned image compression are based on autoencoders, learning approximately invertible mappings from pixels to a quantized latent representation. These are combined with an entropy model, a prior on the latent representation that can be used with standard arithmetic coding algorithms to yield a compressed bitstream. Recently, hierarchical entropy models have been introduced as a way to exploit more structure in the latents than simple fully factorized priors, improving compression performance while maintaining end-to-end optimization. Inspired by the success of autoregressive priors in probabilistic generative models, we examine autoregressive, hierarchical, as well as combined priors as alternatives, weighing their costs and benefits in the context of image compression. While it is well known that autoregressive models come with a significant computational penalty, we find that in terms of compression performance, autoregressive and hierarchical priors are complementary and, together, exploit the probabilistic structure in the latents better than all previous learned models. The combined model yields state-of-the-art rate--distortion performance, providing a 15.8% average reduction in file size over the previous state-of-the-art method based on deep learning, which corresponds to a 59.8% size reduction over JPEG, more than 35% reduction compared to WebP and JPEG2000, and bitstreams 8.4% smaller than BPG, the current state-of-the-art image codec. To the best of our knowledge, our model is the first learning-based method to outperform BPG on both PSNR and MS-SSIM distortion metrics.

We present a full reference, perceptual image metric based on VGG-16, an artificial neural network trained on object classification. We fit the metric to a new database based on 140k unique images annotated with ground truth by human raters who received minimal instruction. The resulting metric shows competitive performance on TID 2013, a database widely used to assess image quality assessments methods. More interestingly, it shows strong responses to objects potentially carrying semantic relevance such as faces and text, which we demonstrate using a visualization technique and ablation experiments. In effect, the metric appears to model a higher influence of semantic context on judgments, which we observe particularly in untrained raters. As the vast majority of users of image processing systems are unfamiliar with Image Quality Assessment (IQA) tasks, these findings may have significant impact on real-world applications of perceptual metrics.

We introduce a stop-code tolerant (SCT) approach to training recurrent convolutional neural networks for lossy image compression. Our methods introduce a multi-pass training method to combine the training goals of high-quality reconstructions in areas around stop-code masking as well as in highly-detailed areas. These methods lead to lower true bitrates for a given recursion count, both pre- and post-entropy coding, even using unstructured LZ77 code compression. The pre-LZ77 gains are achieved by trimming stop codes. The post-LZ77 gains are due to the highly unequal distributions of 0/1 codes from the SCT architectures. With these code compressions, the SCT architecture maintains or exceeds the image quality at all compression rates compared to JPEG and to RNN auto-encoders across the Kodak dataset. In addition, the SCT coding results in lower variance in image quality across the extent of the image, a characteristic that has been shown to be important in human ratings of image quality