Big Translation,proposed by Chinese scholars,is a translation theory with local characteristics.This paper clarifies the definition and function of Big Translation,makes an in-depth discussion of the two issues of why we need Big Translation and why Big Translation should be combined with cultural memory,points out that the nature of the two theories is compatible and complementary interdisciplinarity,as well as the enlightenment and significance that the integration of the two bring to the Chinese culture transmission.
Countering current claims that digital capitalism is issuing in a"neo-feudal"age,as the rentier barons of Silicon Valley and Wall Street are extracting non-productive fortunes from their users and debtors,the author of this article delves into the landmark Brenner Debate,starting from feudalist logics and Habermas's concept of"refeudalization",analyzes the capitalist essence of exploitation,appropriation and dispossession at the stage of primitive accumulation,and points out that unlike the"accumulation via innovation"caused by the systemic pressures exerted on capitalists,David Harvey's concept of"accumulation by dispossession"has become the dominant form of accumulation in the new era.The article argues that modem finance is overtaken by the logic of dispossession and the logic of parasitism,and by establishing control over intellectual property rights and intangibles-including data holdings,today's capitalists have become rentiers,entirely parasitic on the creativity of the masses without ever being directly involved in the productive process.The rise of data has given birth to a massive digital economy,and the digital giants such as Google and Facebook manage to appropriate huge chunks of the global mass of surplus value through the user-data-advertising connection.In addition,the article questions Shoshana Zuboff's"surveillance capitalism",stating that it has no radical political agenda and cannot grasp just how the non-capitalist digital economy might operate in the future.It also criticizes the practice of techno-feudalism that excluded the state out of the analytical framework and understated the important role played by the United States in the rise of Silicon Valley as a global techno-economic hegemon.
在21世纪数字化读图时代,随着多模态信息传播的流行,多模态翻译在跨文化信息传播中发挥着日益重要的作用.然而,当前翻译教学主要注重的还是培养语言翻译人才,较少关注对学生多模态翻译能力的培养.因此,本文立足多模态翻译的特点,构建多模态翻译能力模式,探索具体的多模态翻译能力培养策略,为培养更能适应时代需求的多模态翻译人才提供借鉴和参考.
神话是颇具民族属性的文化内容,由于东西方神话体系认知差异,其对外译介并非易事.部分华裔文学作品通过"译述"的方式将神话这类具有较大文化信息差的文化内容推广到西方世界,并颇受认可.此类华裔文学作品与其他外译中国文学作品同属中国文化走出去的一部分.本文首先明确了此类文学作品的创作是"译述"概念的扩大化应用.然后以《月夜仙踪》为具体研究对象,从文化内容、语言、副文本三个方面分析了该小说对中国神话故事的"译述":即通过整合"源文本"资源,增添故事细节、建立凝念聚合文化意义的形象、采用"中国英语"融入语言表达、充分发挥副文本"信息弹性"功能等方式,实现中国神话的跨文化再生.希望本研究能为拓宽我国本土儿童文学的译介出海思路提供有益参考.
本文从美学思想史角度分析英国19世纪美学家约翰·罗斯金对真这一核心美学观念的思考及其对前拉斐尔派艺术的影响.罗斯金以思想之真为宗旨的美学涵摄力量、摹仿、真诚、美、历史关联五个维度;罗斯金立足思想之真为前拉斐尔派艺术辩护;前拉斐尔派先锋文学期刊《萌芽》将罗斯金的真之美学与埃德加·爱伦·坡的唯美诗学融合后对罗斯金美学思想进行新拓展.罗斯金以真为宗旨的美学回应18世纪英国美学家A.A.库珀和德国美学家克里斯蒂安·沃尔夫对真的美学思考,通过与前拉斐尔派的双向交流,开启了19世纪中期以来先后以真、美、善为旨趣的英国现代派美学思想的宏大叙事.
