In recent years,the application of digital technology to the protection, display and inheritance of cultural heritage has been widely promoted in China. As a special cultural heritage resource, rock painting combines traditional protection methods with digital technology, so that rock painting, a non-renewable cultural heritage, can enter the public view in various digital forms. It is of great significance for the times and cultural heritage to play a sustainable role in the social function of rock painting heritage in open physical and virtual space. As an important part of northern rock paintings, Helan Mountain rock paintings in Ningxia, although some technical means have been employed in the protection and sustainable use of rock paintings, there are still many problems to be solved. It is urgent to use new and efficient digital technology to carry out multi-dimensional space protection and cultural heritage research, build a rock painting database and digital museum,explore the effective use of digital achievements, and realize the“living”of rock painting heritage
Qing Opera was formed in the late Ming Dynasty after Anhui Qingyang Opera was introduced into Hubei, combining local language, music and folk culture. There is Shanxi Wanrong Qing Opera in the north of Hubei as the center; in the southwest, there is Wa Qing Opera in Yunnan. The relationship between Qingyang Opera and Qing Opera is the inheritance of source and flow. By exploring the origins of Wanrong Qing Opera and Wa Qing Opera, it can be found that the relationship between them is complicated, but it also shows the diversity and complexity of the spread and formation of the operas. From the perspective of history,clarifying the origin, branch and end relationship among Qingyang Opera, Qing Opera, Wanrong Qing Opera and Wa Qing Opera, and exploring the generation relationship between local culture and the spread and development of operas, are not only classic cases of the spread and change of Chinese operas, but also one of the important ways to understand national cultural identity.
“Passing down from generation to generation”is the essential attribute of national traditional craft transmission activities. Because of the complexity of traditional crafts, it is difficult to achieve inter-generational inheritance through words or objects. Therefore, the inheritance activities of handicraft skills are mainly carried out through the “live transmission”method of “mentoring one after another, mouth-to-mouth teaching”. In the“live transmission”of national traditional craft, the relationship between master and apprentice is mainly based on kinship, craftsmanship and geographical relationship. The interpenetration of kinship inheritance, craftsmanship inheritance and geographical inheritance promotes the continuous development of national traditional crafts.However, the groups formed by these three relationships are different in the degree of accepting core crafts. The specific performance is that consanguineous inheritance promotes the replication of skill genes, while the transmission between non-consanguineous groups will lead to the variation of skill genes.
This paper took the word “Fenggu（meaning strength of character）”as the main line, and discussed the photographic series of Fenggu Laolian from three aspects of material selection, composition, and conception. However, the paper was not limited to only discuss photography, but was closely related to the“character”without restraint. After the approach into“character”, some classic stories were presented to praise for the things and people with character, which were both scattered and closed, scattered in shape but not scattered in spirit.
The spirit of craftsmanship is a kind of professional attitude and the spirit of keeping improving. Advocating the spirit of craftsmanship is not only an urgent need to carry forward traditional Chinese culture, but also a need for the transformation and upgrading of China’s economy. As a kind of local embroidery, Jingchu Han embroidery has always been inseparable from the persistence of generations of Han embroiderers, regardless of its beginning, prosperity, decline and recovery. They inherit the traditional apprenticeship system and carry forward the meticulous manufacturing and innovation spirit. In the era context of advocating science and technology and stressing efficiency, this craftsman spirit of striving for perfection and patriotism for the people has been well inherited and developed in the contemporary era, which is beneficial to enlighten cultural consciousness and strengthen cultural self-confidence in the contemporary society.
