话剧作为中国戏剧文化中的"舶来品"已经存在发展了100多年,但是一般公众知识里的中国话剧诞生的标志为:"春柳社"1907年在日本东京演出《黑奴吁天录》.这是一个严重而且成为痼疾性的历史错讹.近年越来越多的观点提出标志中国话剧诞生的"上海学生演剧说".自此,"春柳起始说"成为越来越勉强的"旧说",必须正名,以强调学术的权威性与历史的真实性.中国话剧的起始和诞生,在上海学生演剧的努力里均已经发生,春柳社只是上海学生演剧热情的海外延伸.

陈瘦竹先生对中国现代戏剧理论与批评的贡献,主要表现在其守正的学术形象、深邃的学术亮光、可靠的学术构架、厚实的学术砖石、壮大的学术队伍等五个方面,这些卓越贡献是有开拓性、奠基性、建设性的,不仅具有系统性、整体性、深入性,而且具有学术指向的延展性等特点.

With Double First-Class University and Disciplines becoming a hot topic for universities running, colleges and academies for arts and fine arts have undertaken studies on the Double First-Class University Plan evaluation standard and conducted self-evaluation, which reveals both their own strength and shortage compared with the existing Double First-Class Universities, and they regard the result both thought-provoking and encouraging. It is suggests that further improvements can be made in terms of classification guidance and evaluation as the precondition, necessary definition of first-level discipline, an emphasis on practice as the foundation of art disciplines, and talent training goals and qualities, all of which form the core of discipline development in art colleges and academies.

<正>2011年艺术学在文化自觉与教育自觉的艰辛努力下终于成为门类学科后,更深入地体现自觉,就聚焦在学科发展、专业建设、课程系统和结构的设计与实施上了。专业规范与质量标准的制订,也就成为教育部成立新一届高等学校教学指导委员会开展工作的重心,成为委员会积极为教育部"规范办学、指导办学"做好基础工作的当务之急。一、"戏剧与影视学"类教学指导委员会的工

<正>中国大到整个教育发展设计,小到学科专业结构的设定,过于强调"大一统""一刀切"的思维模式以及由此呈现的不讲个性、不问需求的办学运行的体制机制。在这样的背景下,才会出现"研究型大学建设的‘一窝蜂’",才会出现"研究型人才培养的‘一条道’",才会出现"本科教学水平评估的‘一把尺’",也才会有后来的一再纠偏政策:调整专业结构,平衡研

<正>龙:您好!吴院长。有幸采访您真是很高兴!我经常拜读您的大作,特别是对戏曲本质的分析,给我很大的启发。所以,我今天想以戏剧的本质为采访主线;同时,也拟就您进行的一些个案研究和细节方面向您请教。吴:好的!我也很高兴能够与您交流。您可以随便问。龙:好,感谢您!拜读您的大作,您对一些现象的批判,使我感受戏曲领域也存在着"熟知并非真知"的问题。大家都知道我们的京剧、昆曲好,但为什么不喜欢听呢?就是因为不了解。京剧、昆

我那呼兰河>是近年戏剧舞台上创新意识强、演出效果好的评剧剧目.它在演出风格的整体化、地域风情的戏剧化、创新风度的雍容、艺术能力的圆润成熟和舞台艺术风骨与展现内容核心的协调方面,颇有可观.

Studies are made on tendency in the exchanges and impacts,influences and convergence,conflicts and competition along with China's communications with the outside world in the background of economic and cultural globalization.Considering the "going-out strategy" of the Chinese culture,analyses are made on the political,economic and cultural background home and abroad together with the closely related situation and approaches of governmental and non-governmental actions,and on the cases reflecting the experiences and practices typical of different cultural groups.Researches are particularly done on how to strengthen the independence and innovation of national culture,how to improve the Chinese culture so as to step on world arena of culture,how to preserve the independence and security of national culture,and how to establish the imperative plans for the implementation of the "going-out strategy" of the Chinese culture.Creative and practicable approaches are proposed for the research and the sustainable development of the field.