传世哥窑的产地问题一直都是备受大家关注和争议的焦点,本文的研究主要针对这一问题,通过对原故宫博物院藏的传世哥窑器物的无损分析,结合浙江、河南、江西等相关窑址瓷片测试分析结果,采用多元统计分析处理胎釉元素组成,对传世哥窑的产地进行初步判定.同时,也采用了光学显微镜、分光光度计、扫描电镜等分析设备对该传世哥窑洗釉的显微结构、釉色、金丝铁线进行了无损分析研究.

由于哥窑不见宋人记载,亦未获得确切的窑址信息,因此传世哥窑的产地和年代一直是备受学界关注和争议的焦点,也是中国古陶瓷史上悬而未决的问题.本文利用便携X射线荧光能谱仪对故宫博物院藏传世哥窑、明清仿哥釉器物釉进行无损测试分析,积累了传世哥窑的相关分析数据,总结了传世哥窑及明清仿哥釉器物釉的元素组成特征,对传世哥窑器的类群关系进行了研究,并结合浙江、河南和江西等地相关窑址瓷片釉的元素分析结果,对传世哥窑的产地进行了初步判别.

本实验采用X射线荧光能谱仪(EDXRF)对故宫博物院藏32件传世宋代官窑瓷器以及14件明清景德镇仿宋代官窑青瓷胎体(圈足、支钉、露胎处)的主次量和微量元素组成进行了无损测试,初步研究了这些瓷器胎体元素组成的特点、规律和类群关系,进而从胎体元素组成角度佐证和补充了根据釉料组成对院藏官窑类瓷器进行分类和产地溯源之研究所得的结论.结果表明:1)传世宋代官窑与明清景德镇仿官窑瓷器胎体组成可明确区分,其中原定为传世宋代官窑青瓷的G1、G29、G39号器物的胎体组成,符合明清景德镇仿官窑青瓷的胎体特征;而原定为明清仿宋代官窑青瓷的M41和Q54号器物,则与宋代官窑青瓷类似.2)综合胎釉分析结果,认为原定宋官窑鬲式炉的序号G26、原定宋官窑斗笠碗的序号G27和原定宋官窑圆洗(残)的序号G30这三件器物很可能为龙泉黑胎青瓷.3)原定为宋代官窑的7件菱花式小碟,胎体组成则符合北方青瓷特征.

This thesis focuses on the pigment on one red-brown under-glazed throne of the Hongwu period of the Ming dynasty which is collected in the Palace Museum by comparing the chemical elements between this throne and the other two pieces of under-glazed red shards of the same age with Energy Dispersive X-ray Fluorescence (EDXRF) Spectrometer, drawing the conclusion that the pigment of the throne has turned out to be Fe2O3 which is nothing of the substance of the shards. It’s therefore suggested that the throne should be under-glazed brown.

Fifty-eight porcelain samples in Guan ware style from the collections of the Palace Museum in Beijing were analysed using non-destructive ED-XRF. These included 40 vessels that were traditionally ascribed as Guan wares of the Song Dynasty, and 18 vessels traditionally ascribed as imitation Guan wares, made during the Ming and Qing Dynasties. The purposes of this study were: (1) to cross-check the traditional identification of these wares with the new classification based on their chemical compositions; and (2) to carry out a provenance study of the authentic Song Guan waresthat is, to compare the chemical compositions of the authentic Song Guan wares with those of the shards unearthed from the known Guan ware kilns of the Song Dynasty. This study shows that: (1) the chemical compositions of the glaze are significantly different between the Song Guan wares and the imitation waresamong the 58 wares tested, seven are likely to have been misidentified by the traditional method; and (2) the glaze compositions of the authentic Song Guan wares themselves are not homogeneous, and they can be divided into three groups. The provenance of these groups was briefly investigated.

<正>长沙窑是我国唐代的著名瓷窑,因窑址位于湖南省长沙市而得名。其遗址分布于长沙市西北约25公里处的湘江东岸铜官镇附近的石渚瓦渣坪一带。该窑的主要区域在石渚,瓦渣坪只是石渚的一小块地方,石渚在唐代归长沙管辖,现归望城县管辖,所以长沙窑又有"望城窑""铜官窑""瓦渣坪窑""石渚窑"等称谓。

From September 27th to 28th, the International Symposium on the study of official kilns of Song Dynasty and the system was held on Beijing. At the same time, the porcelain exhibition from official kilns of Song dynasty is the achievements on the study of official kilns of the Ceramics Research Center of the Palace Museum. And the exhibition also is the combination of traditional research methods and modern scientific technology.

The paper introduces some porcelain of imperial kiln of Ming dynasty.These porcelains are now displayed on the Special Exhibition of Porcelains of Yongle and Xuande period held at Palace museum.

Enamel porcelain was the product when the technology of ancient Chinese porcelain reached its peak, and was a new overglazed enamel product that Emperor Kangxi inspired to change the technique of enamel painting on metal body from Europe into painting on porcelain body. There were a large amount of production of enamel porcelain under the reign of Emperor Yongzheng and Qianlong, but a small number of enamel porcelain were produced after Qianlong period.

The new ceramic and porcelain hall of palace Museum open to public on 15th July. About 441 artifacts are on display. The exhibition covers most of china's ceramic history of all the important species, particularly the porcelains of Hongwu official kilns and "blank period" porcelains of Ming dynasty,and rubbing of Yaoshenbei stele are on show for the first time. The porcelains of official kilns in "transition period" (17th century), the late Qing dynasty was exhibited as a theme show.

<正>2005年10月10日,在庆祝故宫博物院八十华诞的日了里,故宫博物院占陶瓷研究中心成立,揭牌仪式在故宫延禧宫隆重举行。这标志着故宫博物院古陶瓷研究从此将步入一个更高的阶段。故宫博物院古陶瓷研究中心(以下简称“陶瓷中心”) 的成立,是古器物部在实践中贯彻郑欣淼院长提出的“故宫学”的一项重要内容,是故宫博物院在学术研究方面深化改革,加强与国内外同仁的交流与合作,扩大我

The article introduces mono-color glazed porcelain ware of the Yuan, Ming and Qing dynasties collected by Jian Yongzhen, owner of Zhu Yue Tang of Hong Kong and his wife Li Wangfeng.

本文在介绍日本国宝中中国瓷器的基础上，对宋代建窑“油滴”及“曜变”问题进行了探讨，宋代建盏中的“油滴”即宋代文献所说的“鹧鸪斑”，“曜变”应为特殊的“油滴”。同时，文章对被日本定为国宝的中国瓷器何以全部为宋、元瓷器的原因进行了探究，认为与镰仓时代以来日本人崇尚淡雅隐逸的艺术特色之审美观有密切关系，是深受茶陶旨趣熏陶的结果。

1998年10月,故宫博物院隆重推出<古瓷真品仿品对比及重要窑址标本展>,并同时出版展览图录及面向全国文博单位和台湾举办"故宫博物院古陶瓷鉴定高级研讨班".