The purpose of the study is to deeply interpret the lacquer culture exchange between China and Japan in Tang Dynasty through analyzing modeling and aesthetic implications of Inro and the its evolution. With using combination methods of theory, field surveys, and investigation, the article explores the aesthetics of ancient wares through a comprehensive study on Inro’s modeling、material and aesthetics. As an ancient packaging for medicines and seals, Inro is not only a carrier for oriental culture but also as the study medium for culture exchange between China and Japan by analyzing its various material using and find decorations. Therefore, its profound aesthetic, cultural, and artistic heritage are worth exploring and studying continuously.
The traditional leather dyeing is included in the manufacturing process by using leather as the main raw material, which is not only an important part of the traditional leather technique, but also the fine part of leather products. Painting the leather with lacquer is one of the main processing methods of traditional leather dyeing, which can not only prolong the life of leather products, but also beautify the products and gradually evolve into a unique traditional leather lacquer painting process. Through combing the lacquered leather products of the past ages and traditional leather technique as well as general explanation of leather lacquer painting technique, this article comprehensively expounds the future development of the leather lacquer painting technique inheritance and the traditional lacquered leather products from the perspective of design.
Gadolinium ion nuclear magnetic resonance contrast agent has been widely used in the field of medical imaging and how to reducing its toxic and side effects had always been discussedUrushiol is a kind of medicinal natural molecule. This article studies a way to make a new type of nuclear magnetic contrast agent(BP/UR Gd 3+ ) which by using urushiol and gadolinium ion chelating reaction to chelate gadolinium ion and then loading it on black phosphorus nano sheet with excellent biocompatibility through interface reaction. In the study, the successful preparation of nano loaded urushiol gadolinium chelate was tested by FT-IR, SEM and other testing methods. Through the analysis of relaxation time and relaxation rate of contrast agent samples, it was concluded that BP/UR Gd 3+ has a high side area ratio, so there are more active reaction sites of gadolinium chelate, which contributes to the increase of R 1 relaxation, making BP/UR Gd 3+ hopeful to become a new T 1 contrast agent.
Lacquer grease is the general name of lacquer oil and lacquer wax extracted from lacquer seed. The article analyzed the composition of lacquer oil and lacquer wax and briefly introducedthe extraction technology of lacquer grease. It also reviewed the development status and application potential of lacquer oil and lacquer wax and look ahead the development direction of lacquer grease industry was prospected.
An iron sword with lacquersheath was unearthed from Gaonan Han Tomb inYangzhou. The lacquersheath and the iron sword belong to different categories of cultural relics, their preservation environment requirements vary greatly. During the preservation, the iron sword gradually rusted which causing cracks in the lacquersheath and other damages. In order to maintain the safety of cultural relics, the lacquer sheath and iron sword were separated for protection and restoration. The overall effect of protection and restoration is good, and the expected goal has been achieved. The iron sword and the lacquersheath are separately preserved according to their respective appropriate preservation conditions, which is conducive to the long-term safety of cultural relics.
Monocolor lacquerware, the most representative lacquer ware in Song Dynasty has its unique aesthetic culture. The article makes a detailed points on the social reasons for the creation of lacquerware, the influence of the wisdom of the Song people and the aesthetic style of the literati on the style of lacquer decoration. The formation and development of the monocolor lacqueware in Song dynasty lacquerware reflects the subtle, realistic and plain aesthetic consciousness existed in Song dynasty and also reflects the outstanding material wisdom and elegant aesthetic emotions of the Chinese people. The study on monocolorlacquerware aims to enlighten the public to inherit traditional lacquer culture and achieve creative transformation and high-quality development of traditional lacquer culture, thus further enhancing a high sense of identity and belonging to the national culture.
the brilliant art and culture of the Chinese nation originates from the intelligent creation of handicrafts. Handicraft plays an important role in the long history of the Chinese nation. Handicrafts are often related to religion, sacrifice, etiquette, folk customs and enlightenment. In Chinese history, whether it is a simple and naive primitive society, or a harsh feudal society, in order to meet the needs of life and rule, practical handicrafts have been produced successively in each period, Based on the masterly skills and wisdom of art craftsmen, they express artistic value. This article analyzes the lacquer technology of the Ming Dynasty through the origin of lacquer art, the lacquer technology in the early Ming Dynasty, from Jiajing to Wanli, and the lacquer ware collected in the Sino Japanese Museum.
There were 47 exquisite lacquerwares unearthed in Jizhuang Tomb, which provides important material objects for the research of the characteristics of lacquerwares in the middle and late Western Han Dynasty in Yangtze-Huaihe region. By classifying and sorting out from the production process and decoration, the article holds the points that the style of lacquerware excavated from the Jizhuang Han Tomb conforms to the style of Chu lacquerware. The characteristics of lightness/ethereal and compactness reflect the lacquer style in Yangtze-Huaihe region, and the ingenious and wonderful decoration techniques also show the intelligent and delicate spiritual quality of the people in Yangze-Huaihe region.
As a traditional Chinese craft, lacquer has good development prospects. However, there are industry bottlenecks in efficiency and standardized production. This article gives a possible approach for lacquer spraying formula by analyzing chemical lacquer drying principle, spraying formula design, and spraying technology, combined with the lacquer’s basic characteristics., It also takes the specific operation s to make the parameter standard for lacquer spraying so as to find a path for standardized and efficient production of lacquer craft.
Dongba script is a unique primitive pictograph in Dongba culture of Naxi ethnic group in Lijiang, Yunnan. Based on the exploration of Dongba pictographic elements of Naxi ethnic group, combined with the experience and research of contemporary lacquer painting creation practice, the author creates a lacquer painting work “Dongba Impression” with Dongba cultural charm, and takes this as an example to reflect the characteristics of Dongba pictographic elements in lacquer painting creation. Among them, the general situation and manifestation of Naxi Dongba pictographic,materials used in lacquer painting and common techniques are briefly introduced. Taking the personal lacquer painting “Dongba Impression” as an example, the article introduces the creative conception, concept and technique of the painting. and also expresses personal thinking and pursuit of lacquer painting creation as well as aiming at inheriting Naxi Dongba culture.
The article aims to establish a system for in vitro rapid propagation of wild triploid lacquer tree. The stems from new sprout of wild triploid lacquer tree were collected as initial explants to screen suitable media components for axillary bud induction, adventitious buds proliferation, root induction and transplanting.,It also discussed the influence of key factors on rooting to provide technical support for the industrialized seedling raising of its elite variety and further promotion.
Through the comparative study of the history, works, production process and development status of the two places, this article attempts to interpret the differences and similarities of forms at these two places, inheritance status and many related cultural factors, and then analyzes the reality of the leather lacquer ware in the contemporary context.
Arts and crafts are part of traditional Chinese culture and are of great significance to its inheritance and protection. In order to better improve the inheritance quality of the lacquer art, this paper analyzes the shortcomings in the research and training of the inheritance process of traditional lacquer art, and proposes the reform of the inheritance method of the lacquer art combined with virtual simulation. Virtual simulation provides learners with a complete process flow and optimizes the experimental environment to improve the effectiveness of the teaching.
Art and culture are derived from originality, which is gradually formed through understanding in life. It may be rough and superficial at the beginning, but it gets sublimated in human spiritual life with the time. It is in this process that the traditional culture of the Chinese nation is precipitated and accumulated into classics. Since the reform and opening up, the way of thinking and social reality with learning, imitating and copying foreign experience has affected the field of art and culture, and also formed the thinking habit of taking shortcuts and consuming classics（traditions）. It results in a formality in creative inheritance and innovative development which seriously affects and confuses the substantive difference between imitation, copying and creation. The law of history shows that art and culture are the images and spiritual achievements created by times, and the original art with prominent characteristics of modern society should be created nowadays: the characteristic of nation, times and region. Through artistic presentation of works with these three characteristics, contemporary original art will inevitably breakthrough in the chaotic period when tradition, western and current cultures are intertwined and confused, and become the continuation and guidance of the excellent culture of Chinese nation.
Carved lacquer is one of the many techniques of lacquer art, also called “Carved gray”, “lacquer carving”, “Carved and filling lacquer”, “Coromandel” and so on. The article starts with the historical research and innovative research of Shanxi carved lacquer art. In the aspect of historical research, first of all, it uses the method of literature analysis to sort out the records and descriptions of the carved lacquer craft in different literatures to analyze the artistic characteristics of Shanxi traditional carved lacquer through literature review and works’ collection. Finally, through analyzing a large number of collection works, it makes a conclusion on the artistic characteristics of Shanxi Carved Lacquer after the founding of the People’s Republic of China. In the aspect of innovative research, the research focuses on two aspects: the material carrier and the spiritual core which are divided into four specific areas: lacquer art in furniture design, contemporary public art, cultural and creative product design and diversity of performance so as to re-examine the transformation of traditional craft.
Liujiawa Site in Chengcheng County, Shaanxi Province, was the capital of the ancient Rui State in the Spring-and-Autumn Period which had great significance to the study of the development and evolution of the vassal states in Zhou Dynasty in the Guanzhong Plain area. The unearthed lacquer wares at Liujiwa were important parts of the musical instruments and had great conservation values. Through taking these technology like: microscope, Py-GC/MS, IC, XRD, IRS, Raman spectra, SEM-EDX to analyze the conditions, material and technology of paint film, and mineral composition, chemical index and soluble salt?of soil samples, the article analyzes the degradation mechanism of lacquerwares during the long time in the underground environment so as to develop appropriate protection techniques. It is the first time that the article takes the research combining unearthed relics with burying soil to explain the deterioration mechanism of paint film and provide scientific advice on restoration afterwards.
On the basis of visiting the representative practitioners of Fuzhou lacquer ware and their lacquer ware production sites, this article focuses on sorting out and summarizing the characteristics of five types of practitioners in the Fuzhou lacquer ware industry to analyze their main product types and design characteristics. It also summarizes the difficulties and problems in the five aspects of Fuzhou lacquer ware products industry from observing its general situation and gives thinking to its causes and breakthrough directions.
The circular lacquer cosmetic box of Qin culture in Yunmeng is one of the most distinctive and representative types of Yunmeng lacquer ware. More than 100 pieces of circular boxes were unearthed which accounted for 80 percent of the tombs with wood relics, second only to the ear cup. Through the excavation of the tombs of the circular lacquer box, we can learn that the regulation of human and material resources to a greater extent in the late Warring States period when the kingdom entered into empire and unification of feudal states, the circular cosmetic boxes had become daily necessities for numerous households with the optimization of production, development of social productive forces and lacquer art technology. Men and women both could be buried with the lacquer boxes as grave goods, mostly beside the head or body. It is rarely to found these boxes are beside the head of the dead in the coffin.
To realize the regression of modern lacquerware in People’s Daily life. From the research Angle of “Commonplace Is Tao”, aiming at the problems of modern lacquerware, such as single design concept, small market share and life application to be improved, it is suggested that modern lacquerware should take root in people’s life and develop new life value. The concept of “Commonplace Is Tao”should be guided by utilitarian design, emotional design and moral design to serve the material and spiritual needs of people, and finally to serve the whole society.
Nowadays, in the economic and information technology globalization, public art has become an important part of urban culture and living environment thanks to the high speed development of urbanization in China and it serves public environment and people. Lacquer painting, as one of the mural materials, also quietly appeared in the city. However, with the urban-development in recent years, there is obvious gap and defect between the demands for public culture and public art education and quality of art due to lacking of humanity and vitality in the city instead of paying too much attention on functionality. Under such background, the role of public art in public aesthetic education and cultural spirit dissemination becomes particularly important. As one of the new forms of public art expression, lacquer painting mural also bears a new mission.
